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"Blade Runner" [1981] |
[Left] with dir Ridley Scott - "Blade Runner" [1981] |
JORDAN CRONENWETH |
Born: 20 February 1935, Los Angeles, Calif., USA, as Jordan Scott Cronenweth, son of William Edward Cronenweth, a Hollywood studio portrait photographer.
Died: 29 November 1996, Los Angeles, Calif., USA.
Education: Los Angeles City College, Los Angeles, Calif., USA.
Career: Started in 1957 as location gig for the tv-series 'Boots and Saddles'. Worked in the still photo lab at Columbia Studios. In 1961, he became Conrad Hall's c.asst. and later c.op.
Was diagnosed with Parkinson's Disease in 1978. He was in constant pain, but did some of his most artful and original work during subsequent years, including 'Altered States' and 'Cutter's Way'. There were times when his crew literally had to carry him out to the set while he was shooting 'Blade Runner' in 1981.
Ph commercials. Ph music videos with a: Madonna, U2, a.o.
Was a member of the ASC. His son Jeff is a doph.
Subject of the doc 'The Light That Burns: Remembering Jordan Cronenweth' [2007, Charles de Lauzirika; 20m].
Awards: LAFCA Award [1982], BSC Award nom [1982] & BAFTA Film Award [1983] for 'Blade Runner'; ASC Award [1987] & 'Oscar' AA nom [1987] for 'Peggy Sue Got Married'.

FILMS |
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1969 |
The Liberation of L.B. Jones [William Wyler] c; 2uc; ph: Robert Surtees |
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1970 |
Brewster McCloud [Robert Altman] p/c; cph: Lamar Boren; 2uc: Don McClendon |
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1970 |
The Touch of Satan/Curse of Melissa/Night of the Demon [Tom Laughlin] c |
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1971 |
Play It As It Lays [Frank Perry] c |
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1972 |
Cry for Me, Billy/Face to the Wind/Apache Massacre/Count Your Bullets/The Long Tomorrow/Naked Revenge [William A. Graham] c |
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1973 |
Zandy's Bride/For Better, For Worse [Jan Troell] p/c |
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1973 |
The Nickel Ride [Robert Mulligan] p/c |
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1974 |
The Front Page [Billy Wilder] p/c |
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1975 |
Gable and Lombard [Sidney Furie] c |
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1976 |
Rolling Thunder [John Flynn] c |
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1976 |
Citizens Band/Handle With Care [Jonathan Demme] c |
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1979 |
Altered States [Ken Russell] c |
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1979 |
Cutter and Bone/Cutter's Way [Ivan Passer] c |
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1981 |
Blade Runner [Ridley Scott] p (+ 70bu [2.20:1] & D-Cinema ['Final Cut']/c; addph: Steven Poster, Brian Tufano & (uncred) Haskell Wexler; Derek Vanlint ('Alien') was the intended doph, but he was busy shooting commercials and turned the offer down |
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1982 |
Best Friends [Norman Jewison] c |
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1983 |
Stop Making Sense [Jonathan Demme] c; concert film/88m |
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1984 |
Refuge of the Roads [Joni Mitchell] c/V; concert film/60m |
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1985 |
Peggy Sue Got Married [Francis Coppola] c |
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1986 |
Gardens of Stone [Francis Coppola] c |
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1986 |
Just Between Friends [Allan Burns] c |
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1987 |
U2: Rattle and Hum [Phil Joanou] 16mm-35bu/b&w-c; mus doc/99m; ph color seg; b&w ph: Robert Brinkmann; aph: Stan McClain & Brek Cooney |
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1989 |
State of Grace [Phil Joanou] c; 2uc: Richard Quinlan |
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1989 |
[Paul McCartney:] Get Back [Richard Lester] c; concert doc/89m; cph: Robert Paynter |
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1991 |
Final Analysis [Phil Joanou] c; vfx ph: Patric Kenly |
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1991 |
Alien³ [David Fincher] replaced after 10 days (because of his slow shooting pace due to Parkinson's disease) by doph Alex Thomson |
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TELEVISION |
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1972 |
Birds of Prey [William Graham] tvm; released theatrically outside USA |
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1978 |
One in a Million: The Ron LeFlore Story/Man of Passion [William Graham] tvm |
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1978 |
And I Alone Survived [William Graham] tvm |
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1979 |
Transplant [William Graham] tvm |
FILMS AS CAMERA ASSISTANT/OPERATOR |
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1961 |
Incubus [Leslie Stevens] c.asst.; ph: Conrad L. Hall |
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1965 |
Harper/The Moving Target [Jack Smight] co-c.op; ph: Conrad L. Hall |
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1965 |
Ride Beyond Vengeance/Night of the Tiger [Bernard McEveety] co-c.asst; ph: Lester Shorr |
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1966 |
The Professionals [Richard Brooks] c.asst.; ph: Conrad L. Hall |
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1966 |
Truman Capote's A Christmas Memory [Frank Perry; tvm] c.op; ph: Conrad L. Hall; ep series 'ABC Stage 67'; see 1969 |
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1967 |
In Cold Blood [Richard Brooks] c.op; ph: Conrad L. Hall |
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1968 |
Hell in the Pacific [John Boorman] c.op.; ph: Conrad L. Hall |
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1969 |
[Truman Capote's] Trilogy [seg 'A Christmas Memory' dir by Frank Perry] c.op; ph: Conrad L. Hall; see 1966 |
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