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With actress Lana Turner 'Oscar' [1953] |
[1955] |
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Born: 15 August 1906, Michigan, USA, as Loyal Allen Griggs.
Died: 6 May 1978, Laguna Hills, Calif., USA.
Career: After graduating from High School, went to work in 1924 as asst in the spec effects department at Paramount Studios. Retired in 1971. Was member of the ASC.
Awards: Honorary 'Oscar' AA [1938; shared] for creating 'Transparencies' in 'Spawn of the North'; 'Oscar' AA [1953; color] for 'Shane'; 'Oscar' AA nom [1956; color] for 'The Ten Commandments'; 'Oscar' AA nom [1965; b&w] for 'In Harm's Way'; 'Oscar' AA nom [1965; color; shared] for 'The Greatest Story Ever Told'.

Click thumbnails for full-size image
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FILMS |
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1936 |
San Francisco [W.S. Van Dyke] b&w; earthquake seq ph; ph: Oliver T. Marsh |
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1942 |
Dixie [A. Edward Sutherland] c; 2uc; ph: William C. Mellor |
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1950 |
Tripoli/The First Marines [Will Price] c; 2uc; ph: James Wong Howe |
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1950 |
Passage West/High Venture [Lewis R. Foster] c |
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1950 |
The Last Outpost/Cavalry Charge [Lewis R. Foster] c |
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1951 |
Crosswinds/Jungle Attack [Lewis R. Foster] c |
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1951 |
Shane [George Stevens] c; spec unit ph: Irmin Roberts; process ph: Farciot Edouart; spec pfx: Gordon Jennings |
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1951 |
Jumping Jacks [Norman Taurog] b&w; 2uc; ph: Daniel L. Fapp |
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1952 |
Sudden Fear [David Miller] b&w; uncred 2uc; ph: Charles Lang Jr. |
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1952 |
Road to Bali [Hal Walker] c; 2uc; ph: George Barnes |
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1952 |
The Stars Are Singing [Norman Taurog] c; 2uc; ph: Lionel Lindon |
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1952 |
Jamaica Run [Lewis R. Foster] c; 2uc; ph: Lionel Lindon |
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1953 |
L.A. Community Chest Trailer [Norman Taurog] ? |
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1953 |
Elephant Walk [William Dieterle] c; 2uc: Irmin Roberts; spec pfx: John P. Fulton & Paul K. Lerpae; process ph: Farciot Edouart & W. Wallace Kelley |
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1953 |
The Naked Jungle [Byron Haskin] c; 2uc; ph: Ernest Laszlo |
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1953 |
White Christmas [Michael Curtiz] vv/c; spec pfx: John P. Fulton; process ph: Farciot Edouart |
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1954 |
The Bridges at Toko-Ri [Mark Robson] c; 2uc: W. Wallace Kelley & Tom Tutwiler; aph: Charles G. Clarke; process ph: Farciot Edouart & W. Wallace Kelley; spec pfx: John P. Fulton; optical ph: Paul K. Lerpae |
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1954 |
3 Ring Circus/Jerrico, the Wonder Clown [Joseph Pevney] vv/c; spec pfx: John P. Fulton; process ph: Farciot Edouart |
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1954 |
We're No Angels [Michael Curtiz] vv/c; spec pfx: John P. Fulton |
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1954 |
The Ten Commandments [Cecil B. DeMille] vv & 70bu (Super VistaVision; 1989)/c; addph: W. Wallace Kelley, J. Peverell Marley & John F. Warren; process ph: Farciot Edouart; spec pfx: John P. Fulton; optical ph: Paul K. Lerpae; add vfx: David S. Horsley; filmed October-December 1954 in Egypt & March-August 1955 in Hollywood |
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1955 |
That Certain Feeling [Norman Panama & Melvin Frank] vv/c; cph: Wilfred M. Cline; process ph: Farciot Edouart; spec pfx: John P. Fulton |
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1956 |
Three Violent People [Rudolph Maté] vv/c; spec pfx: John P. Fulton; process ph: Farciot Edouart |
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1956 |
The Buster Keaton Story [Sidney Sheldon] vv/b&w |
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1956 |
The Tin Star [Anthony Mann] vv/b&w |
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[Left of camera] with dir Daniel Mann [right] and actresses Shirley Booth and Eileen Heckart - "Hot Spell" |
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1957 |
Hot Spell [Daniel Mann & (uncred) George Cukor] vv/b&w; spec pfx: John P. Fulton |
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1957 |
The Sad Sack [George Marshall] vv/b&w; spec pfx: John P. Fulton; process ph: Farciot Edouart |
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1957 |
Wild Is the Wind [George Cukor] vv/b&w; 2uc; ph: Charles Lang Jr. |
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1957 |
Vertigo [Alfred Hitchcock] vv/c; uncred co-2uc; ph: Robert Burks |
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1957 |
The Buccaneer [Anthony Quinn] vv/c; fill-in ph: Ellsworth Fredricks (for 4 days when Griggs was ill); prologue ph: Harold Rosson; spec pfx: John P. Fulton; optical ph: Paul K. Lerpae; process ph: Farciot Edouart & W. Wallace Kelley |
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1958 |
Tonka/A Horse Named Comanche [Lewis R. Foster] c |
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1958 |
The Hangman [Michael Curtiz] b&w |
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1958 |
The Jayhawkers! [Melvin Frank] vv/c; 2uc: Irmin Roberts; spec pfx: John P. Fulton |
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1959 |
Visit to a Small Planet [Norman Taurog] b&w; spec pfx: Farciot Edouart & John P. Fulton |
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1960 |
Walk Like a Dragon [James Clavell] b&w |
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1960 |
G.I. Blues [Norman Taurog] c; spec pfx: John P. Fulton; process ph: Farciot Edouart |
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1960 |
Blueprint for Robbery [Jerry Hopper] b&w |
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1961 |
Love in a Goldfish Bowl [Jack Sher] p/c; spec pfx: John P. Fulton; process ph: Farciot Edouart |
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1961 |
Man-Trap [Edmond O'Brien] p/b&w |
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1962 |
Girls! Girls! Girls! [Norman Taurog] c; 2uc: Irmin Roberts; process ph: Farciot Edouart |
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1962 |
Papa's Delicate Condition [George Marshall] c; spec pfx: Paul K. Lerpae |
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1962 |
The Greatest Story Ever Told [George Stevens; (uncred) David Lean & Jean Negulesco] up70/c; 141, 199 & 225m; cph: William C. Mellor (died during prod); spec pfx: A. Arnold Gillespie, Robert R. Hoag, J. McMillan Johnson & Clarence Slifer; started as a 3-strip Cinerama prod; filmed 1962-64 |
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1963 |
A New Kind of Love [Melville Shavelson] c; 2uc; ph: Daniel L. Fapp |
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1964 |
In Harm's Way [Otto Preminger] p (35mm & 70bu)/b&w; 158m, 165m & 170m; 2uc: Philip Lathrop; spec pfx: Farciot Edouart |
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1964 |
Tickle Me [Norman Taurog] p/c; process ph: Farciot Edouart; spec pfx: Paul K. Lerpae |
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1965 |
The Slender Thread [Sydney Pollack] b&w |
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1965 |
The Night of the Grizzly [Joseph Pevney] ts/c; cph: Harold Lipstein; spec pfx: Paul K. Lerpae; process ph: Farciot Edouart |
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1966 |
Hurry Sundown [Otto Preminger] p/c; cph: Milton Krasner; Griggs started the film, but fell ill and was replaced by Krasner |
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1966 |
The Young Warriors/Eagle Warriors [John Peyser] ts/c |
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1967 |
Banning [Ron Winston] ts/c |
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1967 |
P.J./New Face in Hell [John Guillermin] ts/c |
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1967 |
In Enemy Country/In Enemy Hands [Harry Keller] ts/c |
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1969 |
...tick ...tick ...tick... [Ralph Nelson] p/c |
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1969 |
Paint Your Wagon [Joshua Logan] p (35mm & 70bu)/c; 2uc; ph: William Fraker |
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1969 |
Airport [George Seaton & (uncred ext winter scenes) Henry Hathaway] tao/c; 2nd cinematographer; ph: Ernest Laszlo |
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1971 |
Bunny O'Hare [Gerd Oswald] c; cph: John M. Stephens |
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TELEVISION |
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1959 |
Destination Space [Joseph Pevney] pilot/b&w |
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1966 |
Preview Tonight: Roaring Camp [Lamont Johnson] unsold pilot/60m for ABC-tv |
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MISCELLANEOUS |
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1927 |
Legion of the Condemned [William A. Wellman] co-c.asst; ph: Henry Gerrard |
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1928 |
Ladies of the Mob [William A. Wellman] co-c.asst; ph: Henry Gerrard |
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1928 |
Hot News [Clarence Badger] c.op; ph: William Marshall |
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1928 |
Marquis Preferred [Frank Tuttle] co-c.asst; ph: Harry Fischbeck |
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1929 |
The Love Parade [Ernst Lubitsch] co-c.op; ph: Victor Milner |
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1929 |
The Marriage Playground [Lothar Mendes] c.asst; ph: Victor Milner |
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1932 |
A Farewell to Arms [Frank Borzage] sfx asst; ph: Charles Lang Jr. |
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1932 |
Madame Butterfly [Marion Gering] sfx asst; ph: David Abel |
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1933 |
International House [Edward Sutherland] co-sfx staff; ph: Ernest Haller |
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1933 |
The Eagle and the Hawk [Stuart Walker & (assoc) Mitchell Leisen] co-assoc spec pfx; spec pfx: Farciot Edouart; ph: Harry Fischbeck |
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1933 |
Gambling Ship [Louis J. Gasnier & Max Marcin] co-assoc spec pfx; spec pfx: Farciot Edouart; ph: Charles Lang Jr. |
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1933 |
College Humor [Wesley Ruggles] co-assoc spec pfx; spec pfx: Farciot Edouart; ph: Leo Tover |
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1936 |
Florida Special [Ralph Murphy] co-spec pfx; ph: Leo Tover |
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1936 |
Waikiki Wedding Frank Tuttle] transparencies*; ph: Karl Struss |
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1938 |
Spawn of the North [Henry Hathaway] asst process ph**; process ph: Farciot Edouart; ph: Charles Lang Jr. |
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1938 |
Men with Wings [William A. Wellman] asst spec pfx; spec pfx: Gordon Jennings; ph: W. Howard Greene |
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1939 |
Glove Slingers/The Glove Slingers No. 1 [Jules White; short] techn asst; ph: George Meehan |
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1939 |
The Biscuit Eater/God Gave Him a Dog [Stuart Heisler] c.op; ph: Leo Tover |
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1940 |
I Wanted Wings [Mitchell Leisen (replaced Theodore Reed)] co-2u transparency cam*; ph: Leo Tover |
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1943 |
The Story of Dr. Wassell [Cecil B. DeMille] 2u transparencies*; ph: Victor Milner & William Snyder |
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1943 |
Road to Utopia [Hal Walker] asst process ph**; process ph: Farciot Edouart; ph: Lionel Lindon |
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1944 |
Practically Yours [Mitchell Leisen] asst process ph**; process ph: Farciot Edouart; ph: Charles Lang Jr. |
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1944 |
Two Years Before the Mast [John Farrow] asst transparency projection*; ph: Ernest Laszlo |
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1944 |
Kitty [Mitchell Leisen] asst sfx; sfx: Gordon Jennings; ph: Daniel L. Fapp |
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1944 |
Salty O'Rourke [Raoul Walsh] co-asst process ph**; process ph: Farciot Edouart; ph: Theodor Sparkuhl |
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1944 |
The Lost Weekend [Billy Wilder] asst sfx; ph: John F. Seitz |
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1944 |
Love Letters [William Dieterle] asst process ph**; process ph: Farciot Edouart; ph: Lee Garmes |
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1944 |
Hold That Blonde [George Marshall] co-asst sfx; sfx: Gordon Jennings; ph: Daniel L. Fapp |
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1945 |
Masquerade in Mexico [Mitchell Leisen] asst process ph** (+ 1st cam Mexico); process ph: Farciot Edouart; ph: Lionel Lindon |
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1945 |
You Came Along [John Farrow] asst process ph**; process ph: Farciot Edouart; ph: Daniel L. Fapp |
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1945 |
Our Hearts Were Growing Up [William D. Russell] asst process ph**; process ph: Farciot Edouart; ph: Stuart Thompson |
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1945 |
The Trouble with Women [Sidney Lanfield] co-process ph**; ph: Lionel Lindon |
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1945 |
Calcutta [John Farrow] asst transparency projection*; ph: John F. Seitz |
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1945 |
To Each His Own [Mitchell Leisen] transparency projection ph*; ph: Daniel L. Fapp |
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1945 |
Blue Skies [Stuart Heisler & (uncred) Mark Sandrich] c.op; ph: Charles Lang Jr. & William Snyder |
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1945 |
The Bride Wore Boots [Irving Pichel] asst process ph**; ph: Stuart Thompson |
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1945 |
Monsieur Beaucaire [George Marshall] asst process ph**; process ph: Farciot Edouart; ph: Lionel Lindon |
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1945 |
Easy Come, Easy Go [John Farrow] co-asst spec pfx; spec pfx: Gordon Jennings; ph: Daniel L. Fapp |
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1945 |
Ladies' Man [William D. Russell] co-asst process ph**; process ph: Farciot Edouart; ph: Stuart Thompson |
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1945 |
The Searching Wind [William Dieterle] asst process ph**; process ph: Farciot Edouart; ph: Lee Garmes |
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1946 |
The Perfect Marriage [Lewis Allen] asst process ph**; process ph: Farciot Edouart; ph: Russell Metty |
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1946 |
O.S.S. [Irving Pichel] co-asst transparency projection*; ph: Lionel Lindon |
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1946 |
My Favorite Brunette [Elliott Nugent] c.op; ph: Lionel Lindon |
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1946 |
Golden Earrings [Mitchell Leisen] asst spec pfx; spec pfx: Gordon Jennings; ph: Daniel L. Fapp |
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1949 |
A Place in the Sun [George Stevens ] co-process ph**; ph: William C. Mellor |
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1950 |
Woman on the Run [Norman Foster] co-spec pfx; ph: Hal Mohr |
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1951 |
Detective Story [William Wyler] transparencies*; ph: Lee Garmes |
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1951 |
My Son John [Leo McCarey] transparencies*; ph: Harry Stradling Sr. |
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1952 |
Little Boy Lost [George Seaton] co-process ph**; ph: George Barnes |
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* Transparency: a still image printed on a transparent medium such as glass or celluloid and projected as a background in a process shot. |
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** Process photography: 1] rear-projection photography in which foreground action is shot before an image projected onto the rear of a translucent screen; 2] any photography using a process camera (a camera with the highest quality of registration and precision possible and used in special effects matte shots, bipack and optical printing). |