
|
|
|
|
|
|
Born: 21 (other sources: 12) April 1914, Bushey Heath, Hertfordshire, UK. A.k.a. Gil Taylor.
Career: 'The son of a prosperous builder, Gilbert Taylor was being groomed to join the family business. "At the age of 15, I was studying to be an architect but didn't want to be an architect and didn't want to go into the building trade," he recalls. When a fortuitous offer of a camera-assistant job was made by a neighbor, "my perceptive mother persuaded father, who was against it because the film industry was full of 'harridans, whores and gypsies,' to let me take the job. I entered the film industry in 1929 as assistant to William Shenton, a top cinematographer. We made the last two silent pictures to be made at Gainsborough Studios, Islington, and my first work was to hand crank a wooden Williamson camera and load film. I even acted in a few movies. After that, Bill took me to Pathé Studios in Paris to make several French boxing movies, and then we went back to Gainsborough in London, where we made 'Third Time Lucky', my first sound picture. After eight months, I went to Elstree Studios to assist and load film for Freddie Young. Freddie was the kind of man who would have you scrape the darkroom floor with a penknife and polish it, and would then walk in with muddy boots and complain that it was still filthy. But I learned a lot from such cameraman as Fritz [Franz] Planer, Percy Strong and Günther Krampf, and they let me do second-unit work when they were tied up. They took the credit, but I learned from it!" By 1934, Taylor was also taking assignments as an operator, and he continued doing this for the next five years. In November 1939, he joined the Royal Air Force Volunteer Reserve. He distinguished himself with six years of wartime service as an officer and operational cameraman. He was trained to fly as a mid-upper gunner in Lancaster bombers, but his primary mission was to photograph the targets of 1,000-plane nighttime raids over Germany after the bombs were dropped. "I did 10 of those operations, including raids on Cologne and Dresden. On the opening of the second front, I took a small operational unit of cameramen to cover every kind of news story, including the [liberation of the] concentration camps and the [signing of the] armistice." After the war, Taylor returned to the studio and worked as an operator for Jack Hildyard and Harry Waxman, among others, but it wasn't long before he caught a career-making break: "I operated for Günther Krampf on 'Fame Is the Spur' in 1946, and he asked me to photograph his second unit. I shot a dream sequence in which the army attacks a gang of striking miners," explains Taylor. "They wanted it done in deep focus with heavy filtration, and I did it. I was given great praise and then wanted to forget operating!" [From article by David E. Williams in 'American Cinematographer', February 2006.]
Ph commercials dir by John Hough, a.o. Directed ep #14 'The Man from X' [1969; ph: Frank Watts] of the 28-part tv-series 'Department S'. Appeared in the doc's 'Behind the Camera' [1999; for BBC-tv] & 'Inside the Making of Dr. Strangelove' [2000, David Naylor]. Was member [now honorary member] of the BSC.
Awards: BSC Lifetime Achievement Award [2001]; ASC International Achievement Award [2006].

|
"Yield to the Night" |
"Ice Cold in Alex" |
|
"Dr. Strangelove" |
"Dr. Strangelove" |
|
"Repulsion" |
"Repulsion" |
|
"Frenzy" |
|
FILMS |
|
1942 |
Operational Height/Last Hazard [Arthur Taylor] b&w; doc/33m; cph: Skeets Kelly; prod RAF Film Production Unit |
|
1944 |
Journey Together [John Boulting] b&w; assoc ph; ph: Harry Waxman; 3uc: Stanley W. Sayer; prod RAF Film Production Unit |
|
1948 |
The Guinea Pig/The Outsider [Roy Boulting] b&w |
|
1950 |
Seven Days to Noon [John Boulting] b&w; assoc ph: Ray Sturgess |
|
1950 |
Circle of Danger [Jacques Tourneur] b&w; addph; ph: Oswald Morris |
|
1951 |
High Treason [Roy Boulting] b&w; cph: Ray Sturgess |
|
1952 |
The Yellow Balloon [J. Lee Thompson] b&w |
|
1952 |
Gift Horse/Glory at Sea [Compton Bennett] b&w; 2uc; ph: Harry Waxman |
|
1952 |
Single-Handed/Sailor of the King [Roy Boulting] b&w |
|
1953 |
The Dam Busters [Michael Anderson] b&w; sfx ph; ph: Erwin Hillier |
|
1953 |
The Weak and the Wicked/Young and Willing [J. Lee Thompson] b&w |
|
1953 |
Seagulls Over Sorrento/Crest of the Wave [John & Roy Boulting] b&w; 2uc: Skeets Kelly |
|
1953 |
Trouble in the Glen [Herbert Wilcox] c; uncred cph; ph: Max Greene |
|
1953 |
Front Page Story [Gordon Parry] b&w |
|
1955 |
Josephine and Men [Roy Boulting] c; cph: Ray Sturgess |
|
1955 |
As Long as They're Happy [J. Lee Thompson] c |
|
1955 |
It's Great to Be Young! [Cyril Frankel] c |
|
1956 |
Yield to the Night/Blonde Sinner [J. Lee Thompson] b&w |
|
1956 |
My Wife's Family [Gilbert Gunn] c |
|
1956 |
The Silken Affair [Roy Kellino] b&w |
|
1956 |
The Good Companions [J. Lee Thompson] cs/c |
|
1957 |
Woman in a Dressing Gown [J. Lee Thompson] b&w |
|
1957 |
No Time for Tears [Cyril Frankel] cs/c |
|
1958 |
Ice Cold in Alex/Desert Attack [J. Lee Thompson] b&w; 2uc: Norman Warwick |
|
1958 |
She Didn't Say No! [Cyril Frankel] c |
|
1958 |
Alive and Kicking [Cyril Frankel] b&w |
|
1958 |
No Trees in the Street [J. Lee Thompson] b&w |
|
1959 |
Operation Bullshine/Girls in Arms [Gilbert Gunn] c |
|
1959 |
Tommy the Toreador [John Paddy Carstairs] c |
|
1959 |
Bottoms Up [Mario Zampi] b&w |
|
1960 |
Sands of the Desert [John Paddy Carstairs] c |
|
1960 |
The Full Treatment/Stop Me Before I Kill! [Val Guest] MegaScope/b&w |
|
1960 |
The Rebel/Call Me Genius [Robert Day] c; 2uc: Lionel Banes |
|
1961 |
Petticoat Pirates [David MacDonald] cs/c; 2uc: Skeets Kelly |
|
1961 |
A Prize of Arms [Cliff Owen] b&w; cph: Gerald Gibbs |
|
1962 |
It's Trad, Dad!/Ring-a-Ding Rhythm [Richard Lester] b&w |
|
1962 |
The Punch and Judy Man [Jeremy Summers] b&w |
|
1962 |
Hide and Seek [Cy Endfield] b&w |
|
1963 |
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb [Stanley Kubrick] b&w |
|
1964 |
A Hard Day's Night [Richard Lester] b&w |
|
1964 |
Ferry Cross the Mersey [Jeremy Summers] b&w |
|
1964 |
Repulsion [Roman Polanski] b&w; uncred cph: Stanley A. Long |
|
1964 |
The Bedford Incident [James B. Harris] b&w |
|
1965 |
Theatre of Death/Blood Fiend/The Female Fiend [Samuel Gallu] ts/c |
|
1965 |
Cul-de-sac [Roman Polanski] b&w |
|
1965 |
2001: A Space Odyssey [Stanley Kubrick] sp70/c; uncred co-addph; ph: Geoffrey Unsworth |
|
1966 |
The Man Outside [Samuel Gallu] ts/c |
|
1967 |
Work Is a Four Letter Word [Peter Hall] c |
|
1968 |
Before Winter Comes [J. Lee Thompson] c |
|
1968 |
A Nice Girl Like Me [Desmond Davis] c; cph: Manny Wynn |
|
1969 |
A Day at the Beach [Simon Hesera] c |
|
1969 |
Quackser Fortune Has a Cousin in the Bronx/Fun Loving [Waris Hussein] c |
|
1970 |
Macbeth/The Tragedy of Macbeth [Roman Polanski] tao35/c |
|
With dir Alfred Hitchcock [left] - "Frenzy" |
|
1971 |
Frenzy [Alfred Hitchcock] c; uncred cph: Leonard South |
|
1972 |
The Deadly Trackers/Riata [Barry Shear (replaced Samuel Fuller)] c; worked as ph with dir Fuller; ph: Gabriel Torres |
|
1973 |
Soft Beds, Hard Battles/Undercovers Hero [Roy Boulting] c |
|
1975 |
The Omen/Omen I [: The Antichrist] [: The Birthmark] [Richard Donner] p/c |
|
With dir George Lucas [right] - "Star Wars" |
|
1976 |
Star Wars [George Lucas] p (35mm & 70bu)/c; 2uc: Carroll Ballard, Rick Clemente, Robert Dalva & Tak Fujimoto; miniature & optical efx ph: Richard Edlund, Bruce Logan (2u) & Dennis Muren (2nd cam); see 1996 |
|
1977 |
Meetings with Remarkable Men [Peter Brook] c |
|
1977 |
Damien: Omen II [Don Taylor] p/c; Israel ph; ph: Bill Butler |
|
1978 |
Escape to Athena [George Pan Cosmatos] p/c; aph: Ron Goodman |
|
1978 |
Dracula [John Badham] p/c; addph: Leslie Dear & Harry Oakes |
|
1979 |
Flash Gordon [Mike Hodges (replaced Nicolas Roeg)] tao35/c; addph: Harry Waxman; skies ph: Harry Oakes |
|
1980 |
Green Ice [Ernest Day] c; 2uc: Ronald Taylor; aph: Ron Goodman |
|
1980 |
Venom [Piers Haggard (replaced Tobe Hooper)] c; 2uc: Frank Watts & Neil Binney; addph: Denys Coop |
|
1981 |
Losin' It [Curtis Hanson] c |
|
1983 |
Lassiter [Roger Young] c |
|
1984 |
Voyage of the Rock Aliens [James Fargo & (first mus seq) Bob Giraldi] c; ph first mus seq: Dante Spinotti |
|
1986 |
The Bedroom Window [Curtis Hanson] J-D-C Scope/c |
|
1986 |
Single Room [Wolfgang Panzer] scheduled to start in August; status unknown |
|
1992 |
Don't Get Me Started/Psychotherapy [Arthur Ellis] c |
|
1996 |
Star Wars: Episode IV - A New Hope [George Lucas] 1976 version + 4m new footage; see 1976 |
|
TELEVISION |
|
1966 |
The Avengers [ep #102 'A Sense of History' dir by Peter Graham Scott] 161-part series, 1961-69; 4th season, 1965-66/b&w; other ph: Lionel Banes, Alan Hume, Ernest Steward & Gerry Turpin |
|
1967 |
The Avengers [ep #129 'Invasion of the Earthmen' dir by Don Sharp] 7th season/c, 1968-69; other ph: Stephen Dade, Alan Hume, a.o.; see 1966 |
|
1968 |
The Avengers [ep #130 'The Curious Case of the Countless Clues' dir by Don Sharp (DS), #131 'The Forget-Me-Knot' dir by James Hill (JH), #132 'Split!' dir by Roy Ward Baker, #133 'Get-A-Way!' dir by DS & #135 'Look - (stop me if you've heard this one) But There Were These Two Fellers...' dir by JH] 7th season, 1968-69; see 1967 |
|
1969 |
The Avengers [ep #158 'Homicide and Old Lace' dir by John Hough] 7th season, 1968-69; see 1967 |
|
1969 |
Randall & Hopkirk (Deceased)/My Partner the Ghost [ep #1 'My Late Lamented Friend and Partner' dir by Cyril Frankel] 26-part series, 1969-70; 2uc: Gerald Moss |
|
1972 |
Pathfinders [ep #9 'Codename: Gomorrah' dir by Robert Asher, #10 'Unusual Ally/Sweets from a Stranger' dir by Harry Booth, #13 'In the Face of the Enemy' dir by Leslie Norman & #? 'Forced to Ditch' dir by Jeremy Summers] 13-part series, 1972-73; other ph: Stephen Dade & Brendan Stafford |
|
1973 |
The New-Fangled Wandering Minstrel Show [Buddy Bregman] mus special/49m |
|
1977 |
Breaking Up [Delbert Mann] tvm |
|
FILMS AS CAMERA ASSISTANT/OPERATOR |
|
1930 |
Rookery Nook/One Embarrassing Night [Tom Walls & (superv) Byron Haskin] c.asst; ph: David Kesson, (uncred) Freddie Young & (uncred) Bernard Knowles |
|
1930 |
Third Time Lucky [Walter Forde] c.asst; ph: William Shenton |
|
1931 |
Many Waters [Milton Rosmer] c.asst; ph: Henry Gerrard & Hal Young |
|
1932 |
Number Seventeen/Number 17 [Alfred Hitchcock] clapper/loader; ph: John J. Cox & Bryan Langley |
|
1934 |
Nell Gwyn [Herbert Wilcox] c.asst; ph: Freddie Young |
|
1935 |
Escape Me Never [Paul Czinner] c.asst; ph: Freddie Young |
|
1935 |
Turn of the Tide [Norman Walker] 2u c.asst; ph: Fritz (Franz) Planer |
|
1939 |
The Lambeth Walk/Me and My Girl [Albert de Courville] c.asst; ph: Francis Carver |
|
1946 |
School for Secrets/Secret Flight [Peter Ustinov] c.op; ph: Jack Hildyard |
|
1946 |
Fame Is the Spur [Roy Boulting] c.op addph; addph: Harry Waxman; ph: Günther Krampf & (uncred) Stanley Pavey |
|
1947 |
Brighton Rock/Young Scarface [John Boulting] c.op; ph: Harry Waxman |
|
1947 |
My Brother Jonathan [Harold French] loc c.op; ph: Derick Williams |