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"CyberTracker" [1993] |
"Conjurer" [ 2007] |
"The Prof" [1968] |
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Born: 17 July 1947, Jackson, Mississippi, USA, as Kenneth T. Blakey.
Education: University of Southern Mississippi [USM] [Bachelor of Science Degree in Communications (major: Radio/TV/Film; minor: Journalism)].
Career: 'I have been a Director of Photography in Los Angeles since 1989 working almost exclusively in the independent feature world. I started my career in San Francisco shooting documentaries and commercials and then moved into fashion and glamour as both still photographer and cinematographer. I relocated to Los Angeles specifically to pursue a career in feature films. I have shot over sixty features and my greatest love continues to be working with people who recognize and respect artistry and have the same passion for movies and the process of making them that I do.'
Shot his first short feature 'The Prof' [1968] during his stay at USM. Also active as still ph.
Awards: Blue Ribbon honors, Ansel Adams Gallery, Monterey, Calif., for his large format fine art photography.
'The 4th Tenor': At the Serenade Café, Blakey lit the stage with a follow spot gelled to warm up skin tones slightly. By contrast, the street exteriors, also filmed on the Universal back lot, were kept slightly cooler in color temperature.
"In the café, I wanted a warm and inviting, natural look with true skin tones," says Blakey. "When we're out on the New York streets, I wanted the look a little cooler because you're down in the canyons between buildings and there's a lot of ultra-violet light. I shot the Italian scenes with a Tiffen #1 chocolate filter on the lens and timed it warm, so that it looks a little bit old world - very warm and inviting. There's a definite difference to the feel and the look."
Blakey photographed [Rodney] Dangerfield with wide lenses to accentuate his trademark bug-eyed look. He generally prefers wider lenses because they help to place the character in the environment. Blakey also chooses to create looks in the camera, using filtration and lighting.
His filter package usually included a #1 Ultracon and a 1/8 white Pro-Mist from Tiffen. Blakey shot the entire film on Kodak Vision 500T 5279 film. "I started using one film stock after seeing Dante Spinotti's work on 'Heat'," he says. "I read that he shot the whole movie on [Eastman EXR 500T] 5298 film. It's not something I do every time; different shows call for different approaches. But when you're shooting multiple cameras and multiple units in changing light, it solves a lot of problems."
Blakey generally overexposed the negative, shooting the 500 speed film at an E.I. of 320 and sometimes 250. "You want a bullet-proof negative," he says. "There's no reason for underexposure, which can bring graininess and lose contrast. Pushed a stop, the 5279 looks gorgeous." [From the KODAK OnFilm website, 2002.]
Click thumbnails for full-size image
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FILMS |
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1974 |
A Day in the Life of Bonnie Consolo [Barry Spinello] 16mm/c; doc/17m |
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1974 |
Massage Parlor Wife [Barry Spinello] c |
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1983 |
Not in Vain: A Portrait of Erika [Barry Spinello] ?; doc/?m |
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1990 |
The Last Riders [Joseph Merhi] c; 2uc; ph: Richard Pepin |
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1990 |
The Art of Dying [Wings Hauser] c; 2uc (+ gaffer); ph: Richard Pepin |
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1991 |
Ring of Fire [Richard W. Munchkin] c; 2uc; ph: Richard Pepin |
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1991 |
A Time to Die [Charles T. Kanganis] c |
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1991 |
Bikini Summer [Robert Veze] 16mm-35bu/c |
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1991 |
Sunset Strip [Paul G. Volk] 16mm-35bu/c |
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1991 |
Maximum Force [Joseph Merhi] c |
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1992 |
Intent to Kill [Charles T. Kanganis] c; 2uc: Richard Pepin |
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1992 |
Bikini Summer 2 [Jeff Conaway] 16mm-35bu/c |
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1992 |
CIA Code Name: Alexa [Joseph Merhi] c; 2uc; ph: Richard Pepin |
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1992 |
Eye of the Stranger [David Heavener] p/c; co-2uc; ph: Paul A. Edwards |
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1992 |
Ring of Fire II: Blood and Steel/Rage: Ring of Fire II [Richard W. Munchkin] c; 2uc; ph: Richard Pepin |
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1992 |
Fist of Honor [Richard Pepin] c |
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1992 |
Magic Kid/Ninja Dragon/Tiger Kid [Joseph Merhi] c; 2uc: Garett Griffin |
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1992 |
To Be the Best [Joseph Merhi] c; 2uc; ph: Richard Pepin |
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1992 |
Alien Intruder [Ricardo Jacques Gale] c; 2uc; ph: Michael Pinkey |
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1993 |
Private Wars [John Weidner] c; 2uc; ph: Garett Griffin |
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1993 |
Firepower [Richard Pepin] c |
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1993 |
Magic Kid II [Stephen Furst] c; 2uc: Garett Griffin |
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1993 |
CIA II: Target Alexa [Lorenzo Lamas] c; 2uc (+ gaffer); ph: Richard Pepin |
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1993 |
Direct Hit [Joseph Merhi & (add dir) Paul G. Volk] c |
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1993 |
Ice [Brook Yeaton] c; 2uc: Garett Griffin |
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1993 |
Guardian Angel/Beyond Justice [Richard W. Munchkin] c; co-2uc; ph: Garett Griffin |
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1993 |
CyberTracker [Richard Pepin] c |
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1993 |
A Dangerous Place/No Surrender [Jerry P. Jacobs] c; 2uc: Garett Griffin |
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1993 |
Deadly Target/Fire Zone [Charla Driver] c; 2uc; ph: Richard Pepin |
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1993 |
Zero Tolerance [Joseph Merhi] c; 2uc: Garett Griffin |
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1994 |
T-Force [Richard Pepin] c; cph: Rufus Standefer |
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1994 |
Storybook/Adventure Land [Lorenzo Doumani] c; co-2uc; ph: Hanania Baer |
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1994 |
Lion Strike/Ring of Fire 3: Lion Strike [Rick Jacobson] c; co-2uc; ph: Garett Griffin |
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1994 |
Bigfoot: The Unforgettable Encounter [Corey Michael Eubanks] c |
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1994 |
Steel Frontier [Jacobsen Hart & Paul G. Volk] c; 2uc; ph: Richard Pepin |
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1994 |
Last Man Standing [Joseph Merhi] c; 2uc: Jacques Haitkin & Maurice K. McGuire |
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1994 |
Hologram Man [Richard Pepin] c |
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1994 |
The Power Within/Power Man [Art Camacho] c; 2uc: Maurice K. McGuire |
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1995 |
Cyber-Tracker 2 [Richard Pepin] c; 2uc: Maurice K. McGuire & Bill Tunnicliffe |
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1995 |
Rage [Joseph Merhi] c; 2uc: Igor Meglic |
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1995 |
To the Limit [Raymond Martino] c; ph Los Angeles; ph: Henryk Cymerman |
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1995 |
Midnight Temptations 2/Devotion [Rob Spera] 16mm/c |
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1995 |
Tiger Heart [Georges Chamchoum] c; co-2uc; ph: Maurice K. McGuire |
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1995 |
The Silencers [Richard Pepin] c; 2uc: Maurice K. McGuire |
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1995 |
The Misery Brothers [Lorenzo Doumani] c; 2uc; ph: Hanania Baer |
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1995 |
The Sweeper [Joseph Merhi] c; 2uc: Igor Meglic |
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1995 |
Pure Danger [C. Thomas Howell] c; 2uc: Igor Meglic & Maurice K. McGuire |
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1995 |
Little Bigfoot [Art Camacho] c |
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1995 |
Dark Breed [Richard Pepin] c; 2uc: Maurice K. McGuire |
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1996 |
One Clean Move [D.W. Brown] 16mm/c; short/15m |
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1996 |
Riot [Joseph Merhi] c; 2uc: Igor Meglic |
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1996 |
The Assault [Jim Wynorski] c; 2uc; ph: Zoran Hochstätter |
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1996 |
Black Sea Raid/Special Forces [Jenö Hodi] c |
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1996 |
Freedom Strike [Jerry P. Jacobs & Allan A. Goldstein] c |
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1996 |
Executive Target [Joseph Merhi] c; 2uc: Jürgen Baum |
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1996 |
The Underground [Cole S. McKay] c |
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1997 |
Whatever It Takes [Brady MacKenzie] c; 2uc; ph: Andrea V. Rossotto |
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1997 |
Dog Pie [Andrew Levy] c; short/5m |
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1997 |
Simple As a Dog [Andrew Levy] c; short/13m |
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1997 |
Recoil [Art Camacho] c; 2uc: Igor Meglic |
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1997 |
Land of the Free [Jerry Jameson] c |
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1997 |
Evasive Action/Steel Train [Jerry P. Jacobs] c; miniature ph: Chuy Elizondo |
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1997 |
The Cutoff [Art Camacho] c; 2uc: Brett Allen |
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1997 |
Love and War II [Sartaj Kahn = James Tyler] c |
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1998 |
Dirt Merchant [: Alternative Investigator] [B.J. Nelson] c |
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1998 |
Unconditional Love [Steven Rush] c |
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1998 |
Can't Stop Dancing [Steven Falick & Ben Zook] c; addph; ph: Mac Ahlberg |
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1998 |
Running Red [Jerry P. Jacobs] c/V; 2uc: Howard Wexler |
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1998 |
Psycho Too [Andrew Levy] b&w; short/5m |
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1998 |
Final Voyage [Jay Andrews = Jim Wynorski] c/V |
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1998 |
No Tomorrow [Master P = Percy Miller] c/V; 2uc (+ 2ud): Igor Meglic |
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1999 |
Epicenter [Richard Pepin] c; co-2uc; ph: Richard Leiterman |
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1999 |
Hot Boyz/Gang Law [Master P = Percy Miller & (action dir) Spiro Razatos] c/V; cph: Cheddy D. Hart; 2uc: Jacques Haitkin; 3uc: Paul Janossy |
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1999 |
The Stray [Kevin Mock] c/V; 2uc: Maurice McGuire |
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1999 |
Rangers [Jay Andrews = Jim Wynorski] c/V |
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1999 |
Terror Tract/The House on Terror Tract [Lance W. Dreesen (2 seg) & Clint Hutchison (2 seg)] p/c; 4 seg |
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1999 |
Running from the Shadows [Steven Rush] s16/c |
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1999 |
Agent Red [Damian Lee] c; re-shoots ph: Robin Melhuish (dir by Jim Wynorski) |
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2000 |
The Black Rose [Steven Rush] s16/c |
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2000 |
Savage Season [Mike Tristano] DVcam-to-35mm/c |
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2000 |
Extreme Honor/Last Line of Defence 2 [Steven Rush] c/V |
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With dir Harry Basil [left] - "The 4th Tenor" |
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2001 |
The 4th Tenor [Harry Basil] c; 2uc: Igor Meglic |
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2002 |
Back by Midnight [Harry Basil] c |
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2002 |
El Padrino [Damian Chapa] c; 2uc; ph: Pierre Chemaly |
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2002 |
White Rush [Mark L. Lester] c |
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2003 |
Hatchetman [Robert Tiffi] s16/c; 2uc: Roberto Schein |
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2005 |
Back in Time [Ari Bass] HD/c |
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2005 |
The Legend of William Tell [Fred Olen Ray] HD/c |
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2006 |
Big Bad Wolf [Lance W. Dreesen] p/c; addph; ph: Stephen Crawford |
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2006 |
Oranges [Joseph Merhi] HD (ws)/c |
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2006 |
Half Past Dead 2/Justified [Art Camacho] s16/c/V |
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2007 |
Sands of Oblivion [David Flores] c; 2uc; ph: Keith Duggan |
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2007 |
Conjurer [Clint Hutchison] HD (ws)/c |
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2008 |
Tommy and the Cool Mule/Jackie A. [Andrew Stevens] HD/c |
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2008 |
The Way Home/Our Child Is Missing [Lance W. Dreesen] HD/c |
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2008 |
Saint Seiya [Joseph Merhi] announced |
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2009 |
Breaking the Press [Andrew Stevens] HD/c |
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2009 |
Mongolian Death Worms [Steven R. Monroe] c; 2uc; ph: Neil Lisk |
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TELEVISION |
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1995 |
Beverly Hills Bordello [ep #5 'Reunion' dir by Robert Angelo & #17 'Inspiration' dir by Robert Davis] series/16mm; 1st season; other ph: Carl Oakwood, Keith L. Smith, a.o. |
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1996 |
L.A. Heat [various] 48-part series/16mm, 1999; other ph: Jürgen Baum, Mike Weaver, a.o. |
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1999 |
Sacrifice [Mark L. Lester] tvm; co-2uc; ph: Robert Steadman |
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2000 |
Role of a Lifetime [Antony Alda] tvm; 2uc; ph: Troy Smith |
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2001 |
Earth vs. the Spider [Scott Ziehl; tvm] c.op 'b' cam; ph: Tom Callaway |
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2002 |
Recipe for Disaster [Harvey Frost] tvm; 2uc; ph: Christopher C. Pearson |
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2005 |
A.I. Assault/Shockwave [Jay Andrews = Jim Wynorski] tvm |
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2005 |
Women on Death Row [Angie Brown & Philip Reeder] doc/60m/BetaSP; cph: George Feucht, a.o. |
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2006 |
Christmas Do-Over/Christmas Every Day [Catherine Cyran] tvm/HD; 2uc: Euripides Núñez |
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2007 |
Fire from Below [J.R. Mandish = Jim Wynorski] tvm; for Sci-Fi Channel |
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2009 |
Unearthed [Tripp Reed] tvm; for Sci-Fi Channel |
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MISCELLANEOUS |
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1971 |
The Brain Machine/Gray Matter/Mind Warp [Joy N. Houck Jr.] props; ph: Robert A. Weaver |
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1979 |
Board and Care [Ron Ellis; short] gaffer; ph: Frederic Goodich |
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1979 |
Fear No Evil/Mark of the Beast/Lucifer [Frank LaLoggia] gaffer; ph: Fred Goodich |
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1990 |
The Killer's Edge/Blood Money [Joseph Merhi] gaffer; ph: Richard Pepin |
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1990 |
The Art of Dying [Wings Hauser] gaffer (+ 2uc); ph: Richard Pepin |
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1991 |
Final Impact [Joseph Merhi & Steven Smoke] gaffer; ph: Richard Pepin |
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1992 |
Street Crimes/Dead Even [Steven Smoke] gaffer; ph: Richard Pepin |
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1992 |
Out for Blood [Richard W. Munchkin] gaffer; ph: Richard Pepin |
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1992 |
Deadly Bet [Richard W. Munchkin] gaffer; ph: Richard Pepin |
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FILMS & TELEVISION AS DIRECTOR |
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1996 |
L.A. Heat [ep #18 'Smash and Grab'] series; 1st season, 1999; see Television |
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1997 |
Bikini Summer III: South Beach Heat [feature; + prod] ph: Scott Mumford |