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"The Butcher's Shop" - photo by Andy Subratie |
SEAN BOBBITT BSC |
Born: 29 November 1958, Corpus Christi, Texas, USA, as Sean Francis Bobbitt.
Education: St George's College, Weybridge, Surrey, UK; University of California, Santa Clara [south of San Francisco] [Humanities and Television Directing].
Career: His family moved to Dhahran, Saudi Arabia, and then
Weybridge, UK. Went back to the USA to study. Freelanced as a cameraman while in the
Bay [San Francisco] area before returning to London, England, in the early 1980s to work as a news cameraman for
CBS-tv.
Ph commercials.
Is a visiting tutor at the NFTS.
Awards: RTS Award 'Lighting, Photography and Camera - Photography [Drama]' [2003/04] for 'Canterbury Tales' [ep 'The Man of Law's Tale']; BAFTA TV Award 'Best Photography and Lighting [Fiction/Entertainment]' nom [2005] for 'The Long Firm'; 'Emmy' Award nom [2008] for 'Sense & Sensibility' [for Part 1]; BIFA 'Best Technical Achievement [Cinematography]' [2008] for 'Hunger'; RTS Yorkshire 'Camerawork of the Year' Award nom [2009] for 'Unforgiven'; BIFA 'Best Technical Achievement [Cinematography]' nom [2011] for 'Shame'.
FILMS |
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1995 |
Cock and Bull [Nigel Barker] c; short/28m & 50m (festival version) |
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1998 |
Wonderland [Michael Winterbottom] s16-35bu (scope)/c |
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2000 |
Maisie's Catch [Dan Weldon] c; short/13m |
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2000 |
Chunky Monkey [Greg Cruttwell] HD (Sony HDCAM)/c; first feature in the UK shot entirely on HD; released in 2003 |
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2000 |
State of the Party [Richard Heslop] 35mm feature; unfinished |
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2000 |
Lawless Heart [Neil Hunter & Tom Hunsinger] s16-35bu/c; 2uc: Adam Suschitzky & Nic Lawson |
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2001 |
Dog [Andrea Arnold] c; short/10m; also shown as ep of BBC2-tv 5-part series 'Ways to Leave Your Lover' (2003) |
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2001 |
Ladies Night [Caroline Hicks] c; short/20m |
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2001 |
Embrassez qui vous voudrez/Summer Things/See How They Run [Michel Blanc] c |
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2003 |
Touch of Pink [Ian Iqbal Rashid] c; addph UK; ph: David A. Makin |
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2004 |
Kidulthood [Menhaj Huda] s35/c; addph; ph: Brian Tufano |
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2005 |
Cargo [Clive Gordon] s35/c; 2uc: Nic Lawson |
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2005 |
The Situation [Philip Haas] s16-35bu/c; 2uc: Nic Lawson |
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2005 |
United 93 [Paul Greengrass] s35/c; co-2uc; ph: Barry Ackroyd; filmed 2005-06 |
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2006 |
Normal for Norfolk [Gareth Lewis] s16/c; short/10m; + co-prod |
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2006 |
The Baker/Assassin in Love [Gareth Lewis] s35/c; 2uc: Nic Lawson |
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2006 |
Mrs. Ratcliffe's Revolution [Bille Eltringham] c; 2uc: Nic Lawson |
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2006 |
Weddings and Beheadings [Amir Jamal] c; short/9m |
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2007 |
Genova [Michael Winterbottom] HD (Sony F750 & Sony HVR-V1E)-to-35mm scope/c; co-addph UK; ph: Marcel Zyskind |
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2007 |
Hunger [Steve McQueen] s35/c |
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2007 |
Oxygen [Lisle Turner] scope/c; exp short/6m43s |
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2008 |
An Englishman in New York [Richard Laxton] 16mm/c; addph (London, UK); ph: Yaron Orbach |
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2009 |
The Killer Inside Me [Michael Winterbottom] s35/c; addph; ph: Marcel Zyskind |
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2009 |
Crack House USA [Anthony Wonke] b&w (archive, 2005)-c; doc/90m |
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2010 |
Africa United [Debs Gardner-Paterson] s35 (+ D-Cinema)/c; 2uc (+ op 'b' cam): Kate Reid |
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2010 |
Hysteria [Tanya Wexler] s35/c |
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2011 |
Shame [Steve McQueen] ts (+ D-Cinema)/c |
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2011 |
Trashed [Candida Brady] HD (Sony PMW-500)/c; doc/?m; cph: Titus Ogilvy |
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2011 |
The Place Beyond the Pines [Derek Cianfrance] c |
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2011 |
Byzantium [Neil Jordan] c; filmed 2011-12 |
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TELEVISION |
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1990 |
The Second Russian Revolution [David Ash, Mark Anderson, Oren Jacoby & Angus MacQueen] 6-part doc series (aired May-July 1991) + 2 follow-up programs (aired November 1991); cph: Michael Lange, a.o.; filmed 1989-90; for BBC/The Discovery Channel |
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1992 |
The Kennedys [various] 2-part doc/b&w-c/169m; co-camera; ph: John Hazard; ep PBS-tv series 'American Experience' |
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1993 |
Spies in the Sky [prod: Paul Lashmar] doc/50m; ep BBC2 historical doc series 'Timewatch' (1994) |
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1993 |
The War Against the Mafia [Marnie Inskip & Tim Shawcross] 3-part doc series; cph: Sam Somwaru, Richard Gibb & David Haylock; ep ITV doc series 'Network First' |
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1994 |
Watergate [Mick Gold] 5-part investigative series for BBC2 |
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1994 |
The Windsors [Kathy O'Neil (ep #1, 2 & 3) & Annie Fienburgh (ep #4)] 4-part doc series for ITV; re-transmitted by Channel 4 (2000) with add footage; ep #4 was also repeated in 2003 (+ extra add footage) |
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1995 |
The Death of Yugoslavia [Michael Simkin (ep #1), Angus MacQueen (ep #2 & 5) & Paul Mitchell (ep #3 & 4)] 5-part doc series + follow-up ep (1996) and compilation (1999); for BBC2 |
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1995 |
Entertaining Angels [Sue Mallinson] doc/60m; ep ITV doc series 'Network First' |
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1995 |
Voices of Victorian London [Jonathan Miller] doc/50m; ep BBC2 historical doc series 'Timewatch' (1996) |
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1995 |
The Churchills [Greg Lanning] 3-part doc series (1996); cph: Peter Chappell, Jeff Kleinman, a.o. |
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1996 |
Desmond Morris' The Human Sexes [exec prod: Michael Rosenberg & Sandra Gregory] 6-part doc series; cph: Simon Everson & Philip Bonham-Carter; for The Learning Channel (1997) |
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1996 |
The Fifty Years War: Israel and the Arabs/Israel and the Arabs: The 50 Year Conflict [Michael Simkin (ep #1 & 5), Charlie Smith (ep #1 & 5), Dai Richards (ep #2 & 4) & David Ash (ep #3 & 6)] 6-part doc series; filmed 1996-97; for BBC2 (1998) |
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1997 |
Versace [Nick Reed] doc/60m; ep Channel 4 series 'Secret Lives' |
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1998 |
Ancient Inventions [Phil Grabsky (ep #1) & Daniel Percival (ep #2 & 3)] 3-part doc series; other ph: Graham Smith & Peter Hayns; for BBC/The Discovery Channel |
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1998 |
Diana the Wrong Crusade? [Nick Read] doc/60m; for Channel 4 |
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2000 |
The Life and Adventures of Nicholas Nickleby [Stephen Whittaker] 2-part tvm/16mm (2001) |
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2001 |
Sweet Revenge [David Morrissey] 2-part tvm/16mm |
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2001 |
Spooks/MI-5 [ep #3 'One Last Dance' dir by Rob Bailey (RB) & #4 'Traitor's Gate' dir by RB] 86-part series/s16, 2002-11; 1st season, 2002; other ph: Sue Gibson |
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2002 |
Jeffrey Archer: The Truth [Guy Jenkin] tvm/16mm; 2uc: Nic Lawson |
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2002 |
Second Generation [Jon Sen] 2-part tvm/16mm (2003) |
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2003 |
Canterbury Tales [ep #3 'The Knight's Tale' dir by Marc Munden & ep #6 'The Man of Law's Tale' dir by Julian Jarrold] 6-part miniseries/16mm; other ph: Tim Palmer (ep #1 & 4) & David Odd (ep #2 & 5) |
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2004 |
The Long Firm [Bille Eltringham] 4-part miniseries/16mm; 2uc: Nic Lawson |
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2007 |
Sense & Sensibility [John Alexander] 3-part miniseries/s16-to-HD; for BBC1 (2008) |
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2007 |
The Things I Haven't Told You [Marçal Forés] pilot/60m; for BBC3 (2008) |
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2007 |
Seven Days [Michael Winterbottom] tvm; cph: ?; filmed over the course of 5 years (2007-11), a few weeks at a time; for Channel 4 |
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2008 |
Unforgiven [David Evans] 3-part miniseries/HD (ARRI D-21); 2uc: Nic Lawson; addph: Fabian Wagner; for ITV1 (2009) |
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2009 |
Game of Thrones [pilot dir by Tom McCarthy] this 'first draft' of the pilot was later reshot and re-edited by Tim Van Patten as 'Winter Is Coming'; filming started on 26 October in Northern Ireland |
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2010 |
Game of Thrones [ep #1 'Winter Is Coming' dir by Tim Van Patten] series/HD (ARRI ALEXA), 2011-present; 1st season, 2011; addph; ph: Alik Sakharov |
FILM INSTALLATIONS |
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2002 |
Western Deep [Steve McQueen] s8-to-?/c; exp film/28m53s; the film journeys into the physical interior of the deepest gold mine in the world, the Tautona mines near Johannesburg, South Africa, and takes the viewer into the darkness and claustrophobia of the lifts and shafts, the dust and the noise. Intended to be shown together with "Caribs' Leap" (2001; ph: Robby Müller) in a two screen presentation. Prod for Documenta XI, Kassel, Germany (2002). |
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2004 |
Charlotte [Steve McQueen] 16mm/c; exp film/?m; actress Charlotte Rampling's eye and surrounding skin are filmed in large red-tinted close-ups, teased and touched by the artist's (S. McQueen) finger. These sequences, both sensual and aggressive, culminate when the artist touches the surface of the eye. |
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2006 |
Gravesend [Steve McQueen] 35mm-to-HD/c; exp film/17m58s (2007); semi-abstract film about savage capitalism, neo-imperialism and the ways that multinationals mine riches from war-ridden, corrupted and otherwise ravaged countries, here the Congo and the mineral coltan. |
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2008 |
Butchers, Dragons, Gods & Skeletons [Philip Haas] 5 film installations based on selected works in the permanent collection of the Kimbell Art Museum, Fort Worth, Texas, USA; commissioned and exhibited (July 18 - October 25, 2009) by the Kimbell Art Museum; the films are between 7 and 20 minutes in length and are running continuously. > 'The Butcher's Shop' (HD [ARRI D-21]/c) is based on the painting by Annibale Carracci (1560-1609). Presented on two screens facing each other, the installation conjures up the world of the butchers, the world of the artist, and the encounter leading to the painting. The images on one screen show the scene in the painting. On the other screen we see the artist. He has set up an easel to paint the butchers at work, accompanied by a boy assistant. 'The Butcher's Shop' had its debut at the Sonnabend Gallery in New York in April 2008. > 'Arhat Taming the Dragon' is vertical in format like the scroll that was its inspiration, and projected on a screen inside the same wooden shrine that appears in the film. > 'Skeletons Warming Themselves' is based on a painting by James Ensor (1860-1949). The installation takes us inside the experiences, memories, and obsessive imagination of Ensor. The scene shifts from the artist lying dead in his studio to episodes in which he appears as an old man, a young man, a boy, and a baby in the care of his heavy-drinking father. In the installation, it unfolds on four screens within a giant skull, suggesting the idea that we are entering into the very mind of the artist. > 'The Death of Pentheus' is based on the paintings on an ancient Greek wine-cup (or kylix). Like the paintings on the cup, the film is in tondo format - sometimes a single image, sometimes a central image ringed by others. It is projected on a screen in the form of a disk that seems to hover above the floor. > 'Apollo and the Continents' is based on a sketch for a large fresco ceiling by Giovanni Battista Tiepolo (1696-1770). In the most elaborate and technically challenging of his installations, Haas combines filmed images projected on both walls and ceiling with real architectural elements, responding in his own terms to the spectacular, playful illusionism of a Tiepolo ceiling. |
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2009 |
Giardini [Steve McQueen] c; exp film/30m; two films screened side by side showing images of Venice's public gardens - a quiet, subtle, and beautiful view of the pavilions that host the Biennale, minus the art world ruckus. Prod for the British Pavilion at the Venice Biennale 2009. |
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2009 |
Static [Steve McQueen] c; exp film/7m (continuous loop); shot from a helicopter and stars the Statue of Liberty. The camera circles around the monument, alternating between breathtaking distance shots that show the statue looming over docks and buildings and riveting close-ups that seem to capture every detail, from the striated rust of the gown and limbs to the tiny people standing in the crown. Prod for the Marian Goodman Gallery, New York (2010). |