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With dir Clint Eastwood [right] - "A Perfect World" © ASC |
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Born: 18 November 1946, San Francisco, California, USA, as John Newton Green.
Career: Started as c.asst to aph Joe Dieves in San Francisco. Moved to Hollywood in 1968. Was c.asst working for doph Donald Morgan for 7 years; became c.op in 1975 and worked with William Fraker, Ric Waite, Harry Stradling Jr., a.o. Met actor/dir Clint Eastwood during the shooting of 'The Gauntlet'.
Became active member of the ASC in September 1992. Also active as director. His son Peter [1970-] is a c.asst/doph, his son Ryan is a c.op and his daughter Heather is a camera loader.
Appeared in the doc's 'Eastwood & Co.: Making 'Unforgiven'' [1992, Richard Schickel; ph: Don Metz], 'Wiecej swiatka. Festiwal Operatorów Filmowych Camerimage '97' [1997, Piotr Lazarkiewicz; ph: Adam Sikora], '[American Masters:] Clint Eastwood: Out of the Shadows' [2000, Bruce Ricker; ph: Vic Losick], 'History vs. Hollywood' [2001; in 1 ep of this tv-series] & 'Cinematographer Style' [2005, Jon Fauer; ph: J. Fauer, Jeff Laszlo, Brian Heller & David Morgan].
Awards: 'Oscar' AA nom [1993] & BAFTA Film Award nom [1993] for 'Unforgiven'; ASC Award nom [1996] for 'The Bridges of Madison County'; SOC 'President's Award' [1998]; Big Bear Lake IFF Lifetime Achievement Award [2003]; ASC Lifetime Achievement Award [2009].
"Cinematography was not something Jack Green thought about during his childhood in Daley City, Calif. It was understood that he would attend barber college and work in one of the barbershops his father and uncle owned until it came time for him to take over the family business. His only connection to photography was sharing his father's photography hobby.
His interest in photography continued in high school, but Green had settled into the notion that the tools of his trade would be clippers and scissors. Shortly after he started working as a full-time barber, a former combat cameraman named Joe Dieves helped change the course of Green's life when he came in for a trim. Dieves had set up shop in the San Francisco Bay area shooting documentaries, industrials and educational films for local clients. It took Green months to talk to Dieves about camerawork, but the man was a repeat customer, and eventually, Green talked himself into a part-time job as his camera assistant. 'We'd go out on a job, and he'd make sure I was never ignorant about what was necessary,' recalls Green. 'He was a gentle teacher. Soon, I asked my father and my uncle if I could move to one of the back chairs and work part-time. Over a few years, I became a very part-time barber and an almost full-time camera assistant, and in 1965, I got into the union in Northern California, and it became a full-time job.'
Green was soon assisting for a variety of companies, including some that specialized in aerial photography. Assisting on some helicopter exteriors for the film 'Bob & Carol & Ted & Alice' led to the opportunity to work for John Lowry Productions, an aerial-photography company based in Los Angeles.
The early 1970s saw Green assisting a lot, predominantly on aerial units, and working fulltime for Tyler Mounts. Then, in 1972, there were huge layoffs. He managed to keep busy freelancing as an assistant, and in 1975, cinematographer Michael Watkins moved him up to operator on Jonathan Demme's 'Fighting Mad'. It was a baptism by fire in the craft of operating incredibly quickly under chaotic circumstances. Cinematographer Rexford Metz then hired Green to operate on Clint Eastwood's 'The Gauntlet'. Green subsequently operated on every Eastwood film until he moved up on 'Heartbreak Ridge'.
Green was immediately impressed with Eastwood's attitudes about and approach to filmmaking. The focus was on craft and efficiency and always using imagery to support the story. Eastwood hired the same crew as often as possible.
It was through operating on these films that Green learned about lighting. He recalls cinematographer Bruce Surtees 'standing on a set and giving instructions to the gaffer using his hand as if it were a paintbrush. You would swear there was paint coming out of his fingers! Bruce was a lighting minimalist. If he walked onto a set and saw four lights burning, he'd tell the gaffer to turn one off. I realized the fewer lights you had, the fewer complications there were. It was fascinating to see how Bruce expressed himself to his gaffer and electricians.'
When Surtees recommended Green to shoot 'Heartbreak Ridge', Green sensed it was now or never, and he accepted the job even though he still felt he had a lot to learn." [From article by Jon Silberg on the ASC website.]
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FILMS |
1983 Uncommon Valor [Ted Kotcheff] c; co-2uc (cred as co-2nd c.asst); ph: Stephen Burum
1984 Volunteers [Nicholas Meyer] c; addph; ph: Ric Waite
1986 Heartbreak Ridge [Clint Eastwood] c
1987 Like Father, Like Son [Rod Daniel] c
1987 Rambo III [Peter MacDonald] c; hph Arizona; ph: John Stanier
1987 Bird [Clint Eastwood] c; process ph: Bruce Logan
1988 The Dead Pool [Buddy Van Horn] c
1988 Race for Glory/American Built [Rocky Lang] c
1988 Pink Cadillac [Buddy Van Horn] c
1988 The Karate Kid Part III [John G. Avildsen] c; co-aph; ph: Stephen Yaconelli
1989 White Hunter, Black Heart [Clint Eastwood] c; wildlife ph: Simon Trevor; aph: Peter Allwork
1990 The Rookie [Clint Eastwood] p/c; 2uc: Don Burgess
1990 Love Crimes [Lizzie Borden] c; addph: Ben Butin (Atlanta) & Phedon Papamichael (Dallas)
1991 Deceived [Damian Harris] c; 2uc: Peter Norman
1991 Unforgiven [Clint Eastwood] p/c
1992 Rookie of the Year [Daniel Stern] c
1993 A Perfect World [Clint Eastwood] p/c
1993 Bad Company/The Toolshed [Damian Harris] c
1994 Trapped in Paradise [George Gallo] p/c; 2uc: Harald Ortenburger
1994 The Amazing Panda Adventure [Christopher Cain] p/c; 2uc: Scott Ransom
1994 The Bridges of Madison County [Clint Eastwood] c
1995 The Net [Irwin Winkler] c; 2uc: Mark Vargo
1995 Twister [Jan de Bont] p/c; 2uc: Alexander Witt; replaced doph Don Burgess
1995 Traveller [Jack N. Green] c; uncred ph
1996 Absolute Power [Clint Eastwood] p/c
1996 Speed 2: Cruise Control [Jan de Bont] p/c; 2uc: Alexander Witt; uwph: Pete Romano; aph: Ron Goodman
1997 Midnight in the Garden of Good and Evil [Clint Eastwood] c
1998 True Crime [Clint Eastwood] c
1999 Girl, Interrupted [James Mangold] c
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[Background/left] - "Space Cowboys" |
1999 Space Cowboys [Clint Eastwood] p/b&w-c; vfx ph: Martin Rosenberg; uwph: Pete Romano
2000 Golden Dreams [Agnieszka Holland] c; dram doc/30m; for Disney's California Adventure, Anaheim
2000 [Seduced:] Pretty When You Cry/Season's Greetings [Jack N. Green] c; premiered on HBO-tv
2000 A Man Apart/El Diablo/Extreme Rage [F. Gary Gray] s35/c; 2uc: Michael A. Benson (+ 2ud); aph: Hans Bjerno
2001 Wounded/Lord of the Wolves [Lea Thompson] in development; status unknown
2002 Against the Ropes [Charles S. Dutton] s35/c
2002 Secondhand Lions [Tim McCanlies] c; addph: Bob Yeoman
2003 50 First Dates [Peter Segal] p/c; 2uc: Joseph Urbanczyk; addph: S. Douglas Smith; vfx ph: Christopher Nibley
2003 The Drummer [Geoffrey Lewis] in development; scheduled for 2004 start; status unknown
2004 Serenity [Joss Whedon] s35/c; 2uc: Raymond Stella; aph: David Nowell; sfx ph: Bill Taylor
2005 The 40 Year Old Virgin [Judd Apatow] c
2005 Zoom [: Academy for Superheroes] [Peter Hewitt] c; uncred addph; ph: David Tattersall
2005 Click [Frank Coraci] HD-to-35mm/c; New York ph; ph: Dean Semler
2006 Are We Done Yet? [Steve Carr] c; 2uc: Don McCuaig
2007 My Best Friend's Girl [Howard Deutch] c; addph: Peter N. Green
2007 Sweetwater [Martin Guigui] scheduled to start filming in January 2007, then August 2008, then (with doph Tony
Pierce-Roberts) in February-April 2009, and now in May 2010
2008 Law Abiding Citizen [Frank Darabont] scheduled as doph, but film was ph by Jonathan Sela and dir by F. Gary Gray in
January-April 2009
2009 The Letters [William Riead] scheduled for March start; J. Green shot the trailer in November 2001
2009 Hot Tub Time Machine [Steve Pink] c; aph: Hans Bjerno
2009 Diary of a Wimpy Kid [Thor Freudenthal] c
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TELEVISION |
1993 The Adventures of Brisco County Jr. [pilot dir by Bryan Spicer] 27-part series, 1993-94; other ph: Richard C. Thorpe
1997 Eastwood on Eastwood [Richard Schickel] doc/b&w-c/68m
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FILMS & TELEVISION AS CAMERA ASSISTANT/OPERATOR |
1968 Bob & Carol & Ted & Alice [Paul Mazursky] Wescam tech; ph: Charles Lang
1968 Tora! Tora! Tora! [Richard Fleischer, Kinji Fukasaku & Toshio Masuda] Wescam tech; ph: Charles F. Wheeler, a.o.
1971 Dirty Harry [Don Siegel] c.asst aph; ph: Bruce Surtees
1974 Win, Place or Steal/Three for the Money/The Big Payoff [Richard Bailey] c.asst; ph: Donald M. Morgan
1974 Sheila Levine Is Dead and Living in New York [Sidney J. Furie] 1st c.asst; ph: Donald M. Morgan
1975 Rooster Cogburn [Stuart Millar] c.asst; ph: Harry Stradling Jr.
1975 Fighting Mad [Jonathan Demme] c.op; ph: Michael Watkins
1977 The Gauntlet [Clint Eastwood] c.op 'b' cam; ph: Rexford Metz
1977 I Wanna Hold Your Hand [Robert Zemeckis] c.op 'b' cam; ph: Donald M. Morgan
1978 Every Which Way But Loose [James Fargo] c.op; ph: Rexford Metz
1979 Diary of a Teenage Hitchhiker [Ted Post; tvm] c.op; ph: Hector Figueroa
1979 The $5.20 an Hour Dream [Russ Mayberry; tvm] c.op; ph: Hector Figueroa
1979 Seizure: The Story of Kathy Morris [Gerald Isenberg; tvm] c.op; ph: Hector Figueroa
1979 Bronco Billy [Clint Eastwood] c.op; ph: David Worth
1980 Any Which Way You Can [Buddy Van Horn] co-c.op; ph: David Worth
1980 The Border [Tony Richardson] c.op; ph: Ric Waite
1980 Midnight Offerings [Rod Holcomb; tvm] c.op; ph: Hector Figueroa
1980 The Greatest American Hero [various; tv-series, 1981-83] c.op (1st season, 1981 - 9 ep); ph: Hector Figueroa
1981 Tex [Tim Hunter] c.op; ph: Ric Waite
1981 Cagney & Lacey [ep #1 'You Call This Plain Clothes?/Bang, Bang, You're Dead' dir by Georg Stanford Brown; tv-series]
c.op; ph: Hector Figueroa
1981 Firefox [Clint Eastwood] co-c.op; ph: Bruce Surtees
1981 Hysterical [Chris Bearde] co-c.op; ph: Donald M. Morgan
1982 48 Hrs. [Walter Hill] c.op; ph: Ric Waite
1982 Risky Business [Paul Brickman] c.op; ph: Bruce Surtees & Reynaldo Villalobos
1982 Honkytonk Man [Clint Eastwood] c.op; ph: Bruce Surtees
1983 Sudden Impact [Clint Eastwood] c.op; ph: Bruce Surtees
1984 Tightrope [Richard Tuggle] c.op; ph: Bruce Surtees
1984 City Heat [Richard Benjamin] co-panaglide op; ph: Nick McLean
1984 Beverly Hills Cop [Martin Brest] c.op; ph: Bruce Surtees
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[Above/right] with dir Clint Eastwood - "Pale Rider" - © ASC |
1985 Pale Rider [Clint Eastwood] c.op; ph: Bruce Surtees
1985 Rocky IV [Sylvester Stallone] co-c.op Vancouver; ph: Bill Butler
1985 Psycho III [Anthony Perkins] co-c.op; ph: Bruce Surtees
1985 Pretty in Pink [Howard Deutch] c.op; ph: Tak Fujimoto
1985 Ratboy [Sondra Locke] c.op; ph: Bruce Surtees
1985 Out of Bounds [Richard Tuggle] c.op; ph: Bruce Surtees
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MISCELLANEOUS |
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[Left] with doph Peter Green and c.op Ryan Green "Oy Vey! My Son Is Gay!!" |
2008 Oy Vey! My Son Is Gay!! [Evgeny Afineevsky] visual cons; ph: Peter N. Green
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FILMS AS DIRECTOR |
1995 Traveller [+ uncred ph] see Films
1997 Dead Run [feature] announced; status unknown
2000 [Seduced:] Pretty When You Cry/Season's Greetings [+ ph] see Films
2000 White Out [feature] announced; status unknown