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2004 |
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Born: 25 January 1945, Katowice, Poland, as Slawomir Andrzej Idziak.
Education: PWSFTviT, Lódz [graduated in 1968].
Career: Started as c.op at Studio Malych Form Filmowych 'Semafor' in Lódz. Also active as director. Appeared in the doc 'Das Auge der Erinnerung - Ansichten von Slawomir Idziak' [2000, Hans Steinbichler & Florian Vogel; 25m; prod HFFM]. Book: 'Ein Architekt der Sinnlichkeit - Die Farbwelten des Kameramanns Slawomir Idziak' [2007, Schüren Verlag].
Awards: As doph: Gdansk-Gdynia Polish FF TV Award [1974] for 'Odejscia, powroty' [part 3: 'Tak bardzo zmeczeni']; Gdansk-Gdynia Polish FF [1976] for 'Partita na instrument drewniany'; Venice FF 'Osella d'oro' [1993] & 'César' nom [1994] for 'Trois couleurs: Bleu'; Camerimage 'Golden Frog' nom [1996] for 'Lilian’s Story'; Berlin IFF 'Special Mention' [1998] & Camerimage 'Golden Frog' nom [1998] for 'I Want You'; Camerimage 'Golden Frog' nom [1999] for 'The Last September'; 'Oscar' AA nom [2002], BAFTA Film Award nom [2002] & AFI [USA] Film Award nom [2002] for 'Black Hawk Down'; Special 'Orzel' Award [2002], Marburger Kamerapreis [2004]; Camerimage 'Special Award' [2004].
As dir: Awards for 'Nauka latania' [1978 & 1979, Poznan], 'Seans' [1979] & 'Enak' [1992, Gdansk-Gdynia Polish FF].
Slawomir Idziak: 'Our country was for so many years in seclusion, so somehow we had to use a different system... it was first of all grounded in the film schools, in which we had only two departments: the director department and the cinematographer department, so these two people were at the head of the productions. In Poland the cinematographer is number two, and starts work on the project very early. The director is expecting a collaborator in terms of translating the story he has in mind to a kind of visual work. So it was something very unusual when I all of a sudden realized that here in the West it was the director who was telling the cinematographer 'put the camera here'. I mean it's two different professions and I really don't believe, with some exceptions of course as usual, that it's possible to have total control of the actors and the flow of the story and deciding about a single particular take and the lens and the visual part of it. In being a director you shouldn't be too close because very quickly you are losing the sense of the wholeness, the most important element of the profession [and I am someone who has directed as well]. As cinematographer I should be one who observes what happens on the location from the seat of the average spectator. So I really believe in creative group work, and somehow our example in the Polish cinema, where we are really creative partners of the director, is a very good example. It works.'
*****
''Decalogue' [1987] is a very interesting story because in a way I didn't want to do 'A Short Film About Killing'. Kieslowski approached me and gave me [the choice] of all ten films. The problem was it was planned as a 16mm television series and for a Polish cinematographer doing 16mm is a nightmare because the quality of our laboratories is very low and I decided to do number 9, a very simple story about love and jealousy. Then Kieslowski told me, "I know your trick, the moment I'm ready to do number 9, you'll be abroad and have no time to do it. And now when I'm ready to do 'A Short Film About Killing' [number 5] you won't do it!" I said to Kieslowski, "Listen why do I have to do it; after half an hour one person gets killed, after another half an hour another person gets killed in prison. It's a terrible story! Why do I have to do it?" But he's a very stubborn person and he persuaded me to do it. I told him, "O.K. I will do the film on the condition that I do it green and using all my filters and I have an idea to do it very strong," and Kieslowski was very angry and he says, "I don't want to have it green! I'm doing ten films; I can't have all of a sudden one green!" So I said, "It's up to you. Either I do it green, or I don't do it." The next day he came to me and said, "I'm doing ten films, O.K. If one has to be green, let it be shit green. It's your decision. Do it green." And, you know, it's the first time in my life that it happened: a director telling me, do what you want.' [From article by Lindsay Amos in 'Cinema Papers', Australia, August 1995.]
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FILMS AT THE ACADEMY |
1965 Pilot Station [Marek Piestrak; doc] c.asst; ph: Andrzej Jaroszewicz
1965 Wyjscie/Sen [Grzegorz Królikiewicz] b&w; short/4m
1966 Dzien zwyciestwa [Marek Piestrak; short] c.asst; ph: Edward Klosinski
1966 Kazdemu to, czego mu wcale nie trzeba/Kapiel [Grzegorz Królikiewicz] b&w; short/12m
1966 Niebo [Juan Manuel Torres; short] c.asst; ph: Edward Klosinski
1966 Wygrana, przegrana/Park [Raszko Uzunow] b&w; short/8m; cph: Edward Klosinski
1967 Wagary [Jacek Butrymowicz] b&w; short/23m
1967 Zawal serca/Heart Attack [Wojciech Wiszniewski] b&w; short/7m
1969 Wino mszalne [Witold Orzechowski] co-scrpl only; ph: Zdzislaw Kaczmarek
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FILMS |
1968 Wesola Ludwika [Teresa Badzian] c; anim/10m
1970 Franciszek Leczycki [Henryk Rewkiewicz] b&w; doc/398mtr
1970 To trud zrodzil urode [Edmund Z. Szaniawski] c; doc/435mtr
1971 Jeszcze slychac spiew. I rzenie koni... [Mieczyslaw Waskowski] b&w-c
1974 Bilans kwartalny/Quarterly Balance [Krzysztof Zanussi] c
1974 Profile [Krzysztof Rogulski] ?; doc/?m
1975 Partita na instrument drewniany/Partita for a Wooden Instrument [Janusz Zaorski] c
1976 Blizna/The Scar [Krzysztof Kieslowski] c
1976 Klaps/Slate [Krzysztof Kieslowski] c; doc/6m; cph: Stanislaw Igar, Leszek Pieszko, a.o.
1978 Nauka latania/Flying Lessons [Slawomir Idziak] c; cph: Andrzej Poplawski & Janusz Zachwajewski; + scrpl
1979 Dyrygent/Orchestra Conductor/The Conductor [Andrzej Wajda] c
1980 Constans/The Constant Factor [Krzysztof Zanussi] c
1980 Kontrakt/The Contract [Krzysztof Zanussi] c
1983 Jagger und Spaghetti [Karsten Wichniarz] c
1983 Der Fall Bachmeier - Keine Zeit für Tränen [Hark Bohm] c
1984 Rok spokojnego slonca/The Year of the Quiet Sun/Das Jahr der ruhenden Sonne [Krzysztof Zanussi] c
1985 Wie ein freier Vogel [Hark Bohm] 16mm/c
1985 Harmagedon [Juha Rosma] c
1985 Sarah [Reginald Puhl] c; cph: Klaus Beckhausen, Michael Marszalek & Dragan Rogulj
1986 Erloschene Zeiten/Wygasle czasy [Krzysztof Zanussi] c; dram doc/60m
1986 Gute Nacht [Gerhard Schmidt] c; short/15m
1987 Krótki film o zabijaniu/A Short Film About Killing [Krzysztof Kieslowski] c; expanded (84m) ep #5 of tv-series
'Dekalog/Decalogue'
1987 Yasemin [Hark Bohm] c
1988 Wherever You Are.../Gdzieskolwiek jest, jeslis jest… [Krzysztof Zanussi] c; cph: William Lubtchansky
1989 Stan posiadania/Inventory/Liebesfesseln [Krzysztof Zanussi] c
1990 La double vie de Véronique/Podwójne zycie Weroniki [Krzysztof Kieslowski] c
1992 Trois couleurs: Bleu/Trzy kolory: Niebieski [Krzysztof Kieslowski] c
1994 Traumstreuner [Erwin Michelberger] c; cph: Paul Ellmerer
1994 The Journey of August King [John Duigan] c
1994 Tár úr steini/Tears of Stone [Hilmar Oddsson] c; action ph; ph: Sigurdur Sverrir Pálsson
1995 Lilian's Story [Jerzy Domaradzki] c
1995 Männerpension/Jailbirds [Detlev W. Buck] c; 2uc: Sophie Maintigneux
1995 Commandments [Daniel Taplitz] c
1996 Gattaca [Andrew Niccol] s35/c
1997 Men with Guns/Hombres armados [John Sayles] c
1997 I Want You/Beloved [Michael Winterbottom] p/c; uwph: Mark Silk
1997 Love and Rage [Cathal Black] c
1998 The Last September [Deborah Warner] c
1999 Paranoid [John Duigan] c
1999 LiebesLuder/Bundle of Joy [Detlev W. Buck] c
2000 Proof of Life [Taylor Hackford] s35/c; 2uc: Lukasz Jogalla; aph: John Marzano
2000 Sass [Carlo Rola] announced as doph, but replaced by Martin Langer
2001 Black Hawk Down [Ridley Scott] s35/c; 2uc: Alexander Witt; aph: John Marzano
2003 King Arthur [Antoine Fuqua] s35/c; 2uc: Daniele Massaccesi; aph: John Marzano
2004 Clap Project [idea: Krzysztof Kieslowski] exp film with scenes submitted by several doph; shot, ed & shown during
Camerimage FF, 2004
2006 Harry Potter and the Order of the Phoenix [David Yates] s35 & 70bu (IMAX)/c; 2uc: Mike Brewster; aph: Adam Dale;
model unit ph: Nigel Stone
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TELEVISION |
1969 Podrózni jak inni [Wojciech Marczewski] tvm/b&w/28m
1970 Cicha noc, swieta noc [Marek Piestrak] tvm/b&w/24m; + co-scrpl
1970 Góry o zmierzchu [Krzysztof Zanussi] tvm/b&w/28m; spec ph: Andrzej Galinski & Jerzy Surdel
1971 Pizama [Antoni Krauze] tvm/b&w/29m
1971 Meta/The Pad [Antoni Krauze] tvm/b&w; cph: Edward Klosinski
1971 Papierowy ptak/Paper Bird [Slawomir Idziak] tvm/50m; + scrpl
1973 Odejscia, powroty [ep #3 'Tak bardzo zmeczeni' dir by Wojciech Marczewski] 3-part series; other ph: Jacek Prosinski
1973 Przejscie podziemne/Pedestrian Subway [Krzysztof Kieslowski] tvm/b&w/28m
1976 Krótka podróz [Krzysztof Rogulski] tvm/43m
1977 Powrót [Filip Bajon] tvm/56m
1981 Da un paese lontano - Papa Giovanni Paolo II/From a Far Country: Pope John Paul II/Z dalekiego kraju
[Krzysztof Zanussi] tvm
1981 Versuchung/Pokuszenie [Krzysztof Zanussi] tvm
1981 Imperativ/Imperatyw [Krzysztof Zanussi] tvm/b&w-c
1982 Die Unerreichbare/The Unapproachable [Krzysztof Zanussi] tvm/16mm; also released theatrically
1982 Città del Vaticano [Krzysztof Zanussi] ?; doc/55m; ep series 'Capitali culturali d'Europa'
1983 Blaubart/Sinobrody [Krzysztof Zanussi] tvm/16mm
1987 Dekalog/Decalogue [ep five/piec (57m) dir by Krzysztof Kieslowski] 10-part series; other ph: Wieslaw Zdort, Witold
Adamek, Dariusz Kuc, Piotr Sobocinski, a.o.; ep #5 was expanded into the feature film 'Krótki film o zabijaniu'; see
Films (1987)
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"Napoléon et l'Europe" |
1990 Napoléon et l'Europe [ep #3 (52m) 'Maria Walewska' dir by Krzysztof Zanussi & #5 (49m) 'Moskwa' dir by Janusz
Majewski] 6-part miniseries/16mm; other ph: Grzegorz Kedzierski, Elso Roque, a.o.
1990 Das lange Gespräch mit dem Vogel/Dluga rozmowa z ptakiem [Krzysztof Zanussi] tvm/16mm
1993 Weltmeister [Zoran Solomun] tvm/16mm
1993 Ein Bett für drei [Bettina Woernle] tvm/60m
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MISCELLANEOUS |
1966 Trzynaste pietro/13 pietro [Edward Etler; tvm/13m] actor; ph: Jan Laskowski
1967 Jowita [Janusz Morgenstern; feature] actor; ph: Jan Laskowski
1968 Gra [Jerzy Kawalerowicz] co-c.asst (+ small part); ph: Jan Laskowski
1969 Nie ma powrotu Johnny [Kaveh Pur Rahnama] 2nd op; ph: Kazimierz Wawrzyniak
1969 Zbrodniarz, który ukradl zbrodnie/The Criminal Who Stole a Crime [Janusz Majewski] co-c.asst; ph: Antoni
Nurzynski
1972 Wesele/The Wedding [Andrzej Wajda] co-c.op; ph: Witold Sobocinski
1985 Paradigma/Le pouvoir du mal/Il potere del male [Krzysztof Zanussi] as ph cons; ph: Pierluigi Santi
2005 Lou [Anja Ehrhardt, Karim Patwa, a.o.] mdv/c; short/28m; as mentor; ph: Adrian Cranage, Matthias Bolliger, a.o.; prod
Kölner Filmhaus & Focal
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FILMS AS DIRECTOR |
1970 Spojrzenie/Look [doc/9m/b&w; + co-scrpl] ph: Edward Klosinski
1971 Papierowy ptak/Paper Bird [+ scrpl/ph] see Television
1971 Z kregu czarów sztuki/Inside Art's Magic Circle [doc/14m] ph: Jacek Prosinski
1972 Pan... dziad z lira/Master Beggar with a Lyre [co-d: Andrzej Kotkowski; doc/18m; + co-scrpl] ph: Maria Wituska
1973 Z czterech stron [doc/?m] ph: Michal Bukojemski, Jacek Zygadlo & Krzysztof Langda
1977 Seans/Seance [tvm/73m; + co-scrpl] ph: Michal Bukojemski
1978 Nauka latania/Flying Lessons/Learning to Fly [+ scrpl/cph] see Films
1979 Debiut/Debut [short/22m; + scrpl] ph: Jacek Zygadlo
1980 Bajki na dobranoc [tvm/73m; + scrpl] ph: Piotr Kwiatkowski
1982 La piste [16mm/c; short/15m] ph: Gil Moizon
1992 Enak [tvm/b&w-c; + scrpl] ph: Andrzej Jaroszewicz