Andrzej
Bartkowiak -
Mario
Bava - Jack
Cardiff - Arthur
Crabtree - Jan
de Bont
Thomas
DiCillo - Ernest
Dickerson -
Freddie
Francis
Born:
1950, Lódz,
Poland.
Studied
at the PWSFTviT, Lódz.
Went
to the USA in 1972. Ph the music video 'Beast of Burden' [1984, Allan
Arkush; a: Bette Midler & Mick Jagger]. Member of the ASC. Active as director since 1999.
Received a Camerimage 'Golden Frog' nom [1993] for 'Falling Down' & a
Camerimage Special Award to the Polish Cinematographer for Immense Contribution
to the Art of Film [2006].
|
1976 |
Deadly
Hero
[Ivan Nagy] c |
|
1979 |
Three
Cheever Stories/3
by Cheever
[ep 'The
Five Forty-Eight/The
5:48' dir
by James Ivory] tvm/58m |
|
1980 |
Prince
of the City
[Sidney Lumet] c |
|
1981 |
Deathtrap
[Sidney Lumet] c |
|
1982 |
The
Verdict
[Sidney Lumet] c |
|
1982 |
Daniel
[Sidney Lumet] c |
|
1983 |
Terms
of Endearment
[James L. Brooks] c |
|
1984 |
Garbo
Talks
[Sidney Lumet] c; + small part |
|
1985 |
Prizzi's
Honor
[John Huston] c; Gabriel Figueroa was scheduled as doph, but he
didn't get a work permit |
|
1986 |
The
Morning After
[Sidney Lumet] c |
|
1986 |
Power
[Sidney Lumet] c |
|
1987 |
Nuts
[Martin Ritt] c |
|
1988 |
Twins
[Ivan Reitman] c; 2uc: Craig Denault |
|
1988 |
Family
Business
[Sidney Lumet] c; replaced doph Carlo Di Palma |
|
1990 |
Q
& A
[Sidney Lumet] c |
|
1990 |
Off
and Running
[Edward Bianchi] c |
|
1991 |
Hard
Promises
[Martin Davidson] c; 2uc: Peter Lyons Collister |
|
1992 |
A
Stranger Among Us/Close
to Eden [Sidney Lumet] c |
|
1992 |
Falling
Down
[Joel Schumacher] p/c |
|
1992 |
Rock
the Vote
[various] variety special/60m for Fox-tv; cph: Ed Lachman, Robert
Leacock, Geoff Schaaf, a.o. |
|
1992 |
Guilty
as Sin
[Sidney Lumet] c |
|
1993 |
A
Good Man in Africa
[Bruce Beresford] c |
|
1993 |
Speed
[Jan de Bont] p/c; addph: David Drzewiecki (subway) & Garry Waller
(elevator) |
|
1994 |
Losing
Isaiah
[Stephen Gyllenhaal] c |
|
1994 |
Species
[Roger Donaldson] p/c; addph: Peter Deming (Los Angeles) & Mike
Benson (Utah) |
|
1995 |
Jade
[William Friedkin] c |
|
1995 |
The
Mirror Has Two Faces
[Barbra Streisand] c; cph: Dante Spinotti; 2uc: Richard Quinlan |
|
1996 |
Dante's
Peak
[Roger Donaldson] s35/c; 2uc: Raymond Stella; aph: Kurt Soderling |
|
1996 |
The
Devil's
Advocate
[Taylor Hackford] p/c; uncred addph: Steve Adcock |
|
1997 |
U.S.
Marshals
[Stuart Baird] c; vfx ph: Peter Lyons Collister; replaced doph Donald
Thorin |
|
1997 |
Lethal
Weapon 4
[Richard Donner] p/c; 2uc: Rick Bota; aph: Hans Bjerno |
|
1998 |
Gossip
[Davis Guggenheim] c; 2uc: Vern Nobles |
|
1999 |
Turkey.
Cake. [Sean
Whalen] c; short/22m |
|
1999 |
Thirteen
Days [Which Shocked the World] [Roger
Donaldson] b&w-c; Washington & Philippines ph: Christopher Duddy;
Newport, R.I. ph: Gary Capo; aph Newport & Philippines: Robert
Mehnert |
|
1999
|
Romeo
Must Die [feature]
ph: Glen MacPherson
|
|
2000
|
Exit
Wounds
[feature] ph: Glen MacPherson
|
|
2001
|
HRT
[tv-pilot]
ph: John S. Bartley
|
|
2002
|
Cradle
2 the Grave
[feature]
ph: Daryn Okada
|
|
2002
|
Pathfinder
[feature]
in development; status unknown; not
the film dir by Marcus Nispel (2006)
|
|
2003
|
Under
Siege 3: Plane Danger
[feature]
in development since 2000; status unknown
|
|
2004
|
Doom
[feature;
replaced dir Enda McCallion] ph: Tony Pierce-Roberts
|
|
2005
|
Escobar
[feature]
announced; status unknown
|
|
2006
|
Redline
[feature]
in development; status unknown; not
the film dir by Andy Cheng (2006)
|
|
2007
|
Black
and Blue
[feature]
announced
|
|
2008
|
Street
Fighter: The Legend of Chun-Li
[feature]
ph: Geoff Boyle; action unit ph: Igor Meglic; L.A. ph: Bridger Nielson
|
|
2008
|
818
[feature]
pre-production
|
|
2008
|
A
Wing and a Prayer
[feature]
announced
|
Born:
31 July 1914, San Remo, Italy, as son of sculptor Eugenio Bava [entered
the film industry in the early 1910s as a set designer for Pathé Frčres, where
he learned much about the art of in-camera special effects. He rose quickly to
the rank of cinematographer. In 1912, he cph the epic 'Quo
vadis?'
dir
by Enrico Guazzoni.]
Died:
25 April 1980, Rome, Italy.
Gave
up his initial desire to be a painter. Worked for several years as his father's
asst, subtitling feature films for export and animating title seq for Italian
features, until the late 1930s, when the prospects of supporting a wife and
family made it necessary for him to pursue a more ambitious career. He began to
work as a c.asst and c.op to some of Italy's finest cinematographers [Massimo
Terzano, Giuseppe Caracciolo, a.o.], eventually becoming a doph
in 1939.
By the 1950s, his innovative lighting techniques and his genius at creating
realistic special effects on a shoestring cemented him as one of Italy's top
film technicians. In
1956,
he
collaborated with dir Riccardo Freda on 'I vampiri',
the first Italian horror film of the sound era
- initially as doph
and optical effects designer, then directing half of the 12-day schedule in only
two days, when Freda abandoned the project after being denied an extension.
After 'rescuing' [finishing] other troubled productions, he was given the
opportunity of directing any film he chose, so long as it didn't cost too much
money. Inspired by the recent success of Terence Fisher's Hammer production of 'Dracula/Horror
of Dracula' [ph: Jack Asher], he decided to make a horror film of his own.
The result was 'La maschera del demonio', a perfect synthesis of the
Germanic expressionism of the silent era horror films and the more emboldened
expression of violence and sensuality of the Hammer films. His work has proved
very influential: he directed what is called the first Italian 'giallo' [yellow]
movie - a form of the thriller which concentrates on violent death as opposed to
prosaic police procedure - 'Sei donne per l'assassino', and his sci-fi
horror 'Terrore nello spazio' was a key influence on 'Alien'
[1979]. 'Diabolik' was one of the world's first comic book adaptations,
while 'Reazione a catena' is considered to be one of the earliest slasher
films. The last film he worked on [uncred 2ud
& vfx] was Dario Argento's 'Inferno' [1979; ph: Romano Albani]. His son Lamberto [1944-] is a
film director. [Using quotes from articles by Tim Lucas and Troy Howarth.]
|
1939
|
La
vispa Teresa
[Roberto
Rossellini] b&w; short/7m
|
|
1939
|
Il
tacchino prepotente
[Roberto
Rossellini] b&w; short/6m
|
|
1946
|
L'elisir
d'amore/This Wine of Love
[Mario
Costa] b&w
|
|
1947
|
Pagliacci/Love
of a Clown - Pagliacci
[Mario
Costa] b&w
|
|
1949
|
Antonio
di Padova/Anthony of Padua
[Pietro
Francisci] b&w
|
|
1950
|
Vita
da cani/A Dog's Life
[Mario
Monicelli & Steno (= Stefano Vanzina)] b&w
|
|
1951
|
Goya
[Luciano
Emmer] b&w; doc/16m
|
|
1952
|
Viale
della speranza
[Dino
Risi] b&w
|
|
1953
|
Villa
Borghese/It Happened in the Park
[Gianni
Franciolini] b&w; 5 seq
|
|
1953
|
Cose
da pazzi
[Georg
Wilhelm Pabst] b&w
|
|
1954
|
Graziella
[Giorgio
Bianchi] b&w
|
|
1956
|
I
vampiri/The Devil's Commandment/Lust of the Vampire
[Robert
Hampton (= Riccardo Freda) & Mario Bava (finished film)] cs/b&w
|
|
1958
|
Ercole
e la regina di Lidia/Hercules Unchained
[Pietro
Francisci] Dyaliscope/c; + sfx dir
|
|
1959
|
La
battaglia di Maratona/The Giant of Marathon
[Jacques
Tourneur & Mario Bava (finished film)] Dyaliscope/c; + spec pfx
|
|
1960
|
Esther
and the King
[Raoul
Walsh] cs/c; + dir/ph Italian version 'Esther e il re'
|
|
1946 |
L'orecchio
[doc;
+ ph] |
|
1960 |
La
maschera del demonio/Black Sunday/Revenge of the Vampire/The Mask of
Satan
[+
co-scrpl/ph/sfx] |
|
1962 |
La
ragazza che sapeva troppo/The Evil Eye/The Girl Who Knew Too Much
[+
co-scrpl/ph] |
|
1963 |
I
tre volti della paura/Black Sabbath
[ph:
Ubaldo Terzano] + co-scrpl/uncred cph |
|
1963 |
Sei
donne per l'assassino/Blood and Black Lace
[ph:
Ubaldo Terzano] + co-scrpl/uncred cph |
|
1965 |
Terrore
nello spazio/Planet of the Vampires
[ph:
Antonio Pérez Olea & Antonio Rinaldi] + co-scrpl/uncred
cph |
|
1967 |
Diabolik/Danger:
Diabolik
[ph:
Antonio Rinaldi] + co-scrpl/uncred cph |
|
1971 |
Reazione
a catena/A Bay of Blood/Bloodbath/Twitch of the Death Nerve/Last House
on the Left Part
II
[+ co-scrpl/ph] |
|
1977 |
Schock/Shock/Beyond
the Door II
[ph:
Alberto Spagnoli] + uncred cph |
|
1978 |
La
venere di Ille/Venus of Ille
[co-d:
Lamberto Bava] ph: Nino Celeste |
see
entry
Born:
29 November 1900, Chorlton, Lancashire, UK.
Died:
? March 1975, Worthing, Sussex, UK.
Started out at British
International Pictures, where he shot five minor features
including Michael Powell's 'quota quickie', 'The Love Test' [once
believed lost]. He moved to Gainsborough
Pictures [Islington Studios] in 1936, and stayed on the studio payroll until just before its demise in 1950.
Although his more experienced colleague Jack
Cox would usually handle the higher-profile Gainsborough
titles, Crabtree quickly
gained a reputation for fast, efficient shooting, especially in comedy, where
his output included vehicles for Will Hay
and Arthur Askey, most of
which were directed by Marcel Varnel.
His big break as a doph came with the first 'official' Gainsborough costume melodrama, 'The Man in Grey', which allowed Crabtree
to make a major contribution to the overall 'look' of the cycle,
blending high-contrast expressionism with a studio policy that
dictated maximum visibility for the stars [and their costumes!]. He made his directorial debut with 'Madonna of the Seven Moons'
for Gainsborough.
As a director, he was considered competent but - unsurprisingly - much stronger
on the visual than the dramatic side of things. [Using quotes from article by Michael
Brooke on the screenonline website.]
|
CINEMATOGRAPHER
[Selection] |
|
1931 |
Out
of the Blue
[Gene
Gerrard & John Orton] b&w; cph: Ernest Palmer |
|
1934 |
Lazybones
[Michael
Powell] b&w; 65m; cph: Ernest Palmer |
|
1934 |
The
Love Test
[Michael
Powell] b&w; 63m |
|
1936 |
Pot
Luck
[Tom
Walls] b&w; cph: Roy Kellino |
|
1937 |
Bank
Holiday/Three on a Weekend
[Carol
Reed] b&w |
|
1938 |
Old
Bones of the River
[Marcel
Varnel] b&w |
|
1939 |
Where's
That Fire?
[Marcel
Varnel] b&w |
|
1940 |
Inspector
Hornleigh Goes to It/Mail Train
[Walter Forde] b&w; Richmond Park ph; ph: John J. Cox |
|
1941 |
Kipps/The
Remarkable Mr. Kipps
[Carol
Reed] b&w |
|
1943 |
The
Man in Grey
[Leslie
Arliss] b&w |
|
1944 |
Fanny
by Gaslight/Man of Evil
[Anthony
Asquith] b&w |
|
1944 |
Waterloo
Road
[Sidney
Gilliat] b&w; sfx ph: Phil Grindrod; Sidney Gilliat: 'Arthur
Crabtree frankly disliked my being given the picture to direct, because
he had ambitions to direct himself; he told me so as an honest
Yorkshireman... Producer Edward Black took Arthur Crabtree aside and
asked him to give me all the help he could, and Arthur generously
complied with suggestions and a list of technical rules that I really
ought to have learned on 'Millions Like Us' but hadn't sufficiently.' [From
'Launder and Gilliat' by Geoff Brown, 1977.] |
|
DIRECTOR
[Selection Films] |
|
1944
|
Madonna
of the Seven Moons
[ph: Jack Cox]
|
|
1948
|
The
Calendar
[ph: Cyril Knowles & Reginald H. Wyer]
|
|
1951
|
Lilli
Marlene
[ph: Jack Asher]
|
|
1957
|
Morning
Call/The Strange Case of Dr. Manning
[ph: Walter James Harvey]
|
|
1958
|
Fiend
Without a Face
[ph: Lionel Banes]
|
|
1958
|
Horrors
of the Black Museum/Crime in the Museum of Horrors
[ph: Desmond Dickinson]
|
see entry
Born:
14 August 1953, Camp LeJeune, North Carolina, USA.
Holds
a BA in Creative Writing from Old Dominion University and a MFA [1976] from New
York University's Graduate Film School. Wrote and starred in the original 'Johnny
Suede', a one-man show performed at New York's Home for Contemporary Theater
in 1987. Made his debut as director in 1991 with
'Johnny Suede'. Directed ep of the tv-series 'Monk' [2003] & 'Law
& Order: Criminal Intent' [2006 & 2007].
|
CINEMATOGRAPHER
[Selection] |
|
1980
|
Permanent
Vacation
[Jim Jarmusch] c; cph: James Lebovitz
|
|
1980
|
Underground
U.S.A.
[Eric Mitchell] 16mm-35bu/c
|
|
1982
|
Stranger
Than Paradise
[Jim Jarmusch] 16mm-35bu/b&w; started out as a 30m short; + small part
|
|
1983
|
Variety
[Bette
Gordon] c; cph: John Foster; addph: Bette Gordon
|
|
1988
|
Laura
Ley
[Jenne Sipman] c
|
|
1990
|
End
of the Night
[Keith McNally] b&w
|
|
1991
|
Johnny
Suede
[ph: Joe De Salvo] + scrpl
|
|
1993
|
Scene
Six, Take One
[ph: Frank Prinzi] short/17m; later expanded into feature 'Living in
Oblivion'
|
|
1994
|
Living
in Oblivion
[ph: Frank Prinzi] + scrpl
|
|
1996
|
Box
of Moonlight
[ph: Paul Ryan] + scrpl
|
|
1997
|
The
Real Blonde
[ph: Frank Prinzi] + scrpl
|
|
2000
|
Double
Whammy
[ph: Robert Yeoman] + scrpl
|
|
2005
|
Delirious
[ph: Frank DeMarco] + scrpl
|
|
|
 |
With actor DMX
[left] - "Never Die Alone" |
Born:
25 June 1951, Newark, New Jersey, USA, as Ernest Roscoe Dickerson.
Studied
at Howard University, Washington, D.C. [major: Architecture; minor: color
photographic illustration] & the Graduate Film Program
at New York University's [NYU] Department of Film and Television [major:
Cinematography; graduated in
1982]. Between Howard and NYU, he worked as medical photographer at Howard
University Medical School for 3 years. Met dir Spike Lee during his study in New York. Ph commercials &
music videos with
a: Bruce Springsteen [1984, 'Born in the USA', d: John Sayles],
Patti LaBelle [1985, 'Stir It Up', d: Doug Nichol], Miles Davis [1986, 'Tutu',
d: Spike Lee], a.o. Ph anti-drug announcements dir by Martin
Scorsese. Interviewee
in the doc 'Visions of Light: The Art of Cinematography' [1991]. Appeared
in the doc's '[Clive Barker's] A-Z of Horror' [1997, Ursula Macfarlane;
doc tv-series], 'Diggin' Up Bones' [2002, Michelle Palmer], 'Urban Gothic' [2002, Michelle
Palmer], 'Cinematographer Style' [2005, Jon Fauer
(JF); ph: JF,
Jeff Laszlo, Brian Heller & David Morgan] & 'Hitchcocked' [2006,
Jeffrey Schwarz; ph: Bryan Donnell & Clay Westervelt]. Member
of the ASC since 1990. Active as director since 1989. Received
awards/nominations: as doph: NYFCC Award [1989] for 'Do the Right Thing'; Daytime
'Emmy' Award [2003] for 'Our America'; as dir:
L.A. Outfest Grand Jury Award [1999] for 'Blind Faith'; Black Reel nom
[2000] for 'Strange Justice'; Black Reel nom [2004] for 'Good Fences'.
|
1980
|
The
Answer
[Spike
Lee] 16mm/?; student film/10m; prod NYU
|
|
1980
|
Sarah
[Spike
Lee] ?; student film/?m; prod NYU
|
|
1980
|
Joe's
Bed-Stuy Barbershop - We Cut Heads
[Spike Lee] 16mm/c; 60m; prod NYU
|
|
1984
|
The
Brother from Another Planet
[John Sayles] c
|
|
1984
|
Desiree
[Felix de Rooy] c
|
|
1984
|
Day
of the Dead
[George
A. Romero] c; 2uc Florida; ph: Michael Gornick
|
|
1985
|
Krush
Groove [Michael
Schultz] c
|
|
1985
|
She's
Gotta Have It
[Spike Lee] s16/b&w-c; + small part
|
|
1985
|
One
Night with Blue Note
[John
Jopson] 16mm/c; mus doc/120m
|
|
1985
|
Almacita
di desolato
[Felix de Rooy] c
|
|
1986
|
The
Laser Man
[Peter Wang] c; 2uc: Larry Banks
|
|
1987
|
Enemy
Territory
[Peter
Manoogian] c; 2uc: Robert Ebinger
|
|
1987
|
Eddie
Murphy RAW
[Robert Townsend] c; perf/90m
|
|
1987
|
School
Daze
[Spike Lee] c
|
|
1988
|
Def
by Temptation
[James Bond III] c
|
|
1988
|
Do
the Right Thing
[Spike Lee] c
|
|
1988
|
Fright
House/Vampires
[Len
Anthony] c; cph: Larry Revene
|
|
1989
|
Mo'
Better Blues
[Spike Lee] c
|
|
1990
|
Ava
& Gabriel, un historia di amor
[Felix de Rooy] c
|
|
1990
|
Jungle
Fever
[Spike Lee] c
|
|
1990
|
Sex,
Drugs, Rock & Roll
[John
McNaughton] c; perf/96m
|
|
1991
|
Cousin
Bobby [Jonathan
Demme] 16mm-35bu/c; doc/69m; cph: Jacek Laskus, Tony Jannelli, Declan
Quinn & Craig Haagensen
|
|
1991
|
Malcolm
X
[Spike
Lee] c; Mecca ph: David Golia; 2uc: Arthur Jafa Fielder & George
Pattison
|
|
CINEMATOGRAPHER
[Television]
|
|
1984
|
Tales
from the Darkside [ep
#9 'The Word Processor of the Gods' dir by Michael Gornick]
90-part series, 1983-88; other ph: Robert
Draper, Lloyd
Freidus
& Joseph Urbanczyk
|
|
1989
|
H.E.L.P./911
[pilot
dir by Christopher Crowe] 6-part series, 1990; other ph: Constantine
Makris; 2uc: Ken Ferris
|
|
1990
|
Law
& Order
[ep
#1 'Prescription for Death' dir by John Whitesell] series,
1990-present; 1st season, 1990-91; other ph: John Beymer &
Constantine Makris
|
|
1992
|
20th
Anniversary Special
[Ernest Dickerson, Paul Bogart, Twyla Tharp, a.o.] special/90m for
PBS-tv
series
'Great Performances';
ph seg 'Hip Hop - You Don't Stop'; other ph: Bobby Bukowski,
Daniel Stoloff, Michael Negrin, a.o.
|
|
"Our
America" - photo by Russ Martin |
|
|
2001
|
Our
America
[Ernest
Dickerson] tvm/dv; for Showtime-tv
|
|
1989
|
Spike
& Co. Do It a-Capella
[special/60m
for PBS-tv series 'Great Performances'] loc ph: Larry Banks; c.op
live perf: Robert Leacock, Anastas Michos, a.o.
|
|
1991
|
Juice/Angel
Town 2
[feature; + story] ph: Larry Banks
|
|
1992
|
20th
Anniversary Special
[co-d;
+ ph] see Cinematographer [Television]
|
|
1992
|
The
Untouchables
[ep
of 42-part tv-series, 1993-94] ph: Mario DiLeo
|
|
1993
|
Surviving
the Game
[feature] ph: Bojan Bazelli
|
|
1994
|
Tales
from the Crypt [Presents]: Demon Knight
[feature] ph: Rick Bota; opening seq ph: Neil Krepela
|
|
1996
|
Bulletproof
[feature] ph: Steven Bernstein
|
|
1997
|
Blind
Faith
[feature] ph: Rodney Charters
|
|
1997
|
Futuresport
[tvm]
ph: Jonathan Freeman; 2uc: Jon Joffin
|
|
1997
|
Ambushed
[tvm; + small part] ph: Phil Oetiker; 2uc: Frank P. Flynn
|
|
1998
|
Daddy
Cool
[feature] announced; status unknown
|
|
1999
|
Strange
Justice [tvm]
ph: Jonathan Freeman
|
|
1999
|
Parting
the Waters
[co-d:
Kevin Hooks; tv-miniseries] prod cancelled
|
|
2000
|
Bones
[feature]
ph: Flavio Martínez Labiano
|
|
2000
|
Night
Visions [ep
#16 'My So Called Life and Death' & #18 'Still Life'
of 26-part tv-series, 2001] ph: Andreas Poulsson
|
|
2001
|
Monday
Night Mayhem
[tvm]
ph: Jonathan Freeman
|
|
2001
|
Our
America
[+ ph] see Cinematographer [Television]
|
|
2001
|
Big
Shot: Confessions of a Campus Bookie
[tvm] ph: Steven Bernstein
|
|
2002
|
Good
Fences
[tvm]
ph: Jonathan Freeman
|
|
2003
|
Never
Die Alone
[feature]
ph: Matthew Libatique
|
|
2003
|
The
Wire
[ep
#24 'Bad Dreams'; 2nd season of 37-part tv-series, 2002-04] ph:
Uta Briesewitz
|
|
2003
|
Third
Watch
[ep
#102 'Blessed and Bewildered'; 5th season of 131-part tv-series,
1999-2005] ph: Glenn Kershaw
|
|
2004
|
The
Wire [ep
#29 'Amsterdam' & #37 'Mission Accomplished'; 3rd
season] ph: Uta Briesewitz (#29), Dave Insley
(#29) & Eagle
Egilsson (#37); see 2003
|
|
2004
|
Third
Watch
[ep
#116 'The Greatest Detectives in the World'; 6th season] ph:
Glenn Kershaw; see 2003
|
|
2004
|
The
L Word
[ep
#20 'Luminous'; 2nd season of tv-series, 2004-present] ph: Robert
Aschmann
|
|
2004
|
ER
[ep
#236 'Middleman' & #243 'You Are Here'; 11th season of
tv-series, 1994-present] ph: Arthur Albert
|
|
2005
|
For
One Night
[tvm]
ph: Phil Oetiker
|
|
2005
|
Invasion
[ep
#8 'The Cradle'; 22-part tv-series, 2005-06] ph: Jeffrey Jur
|
|
2005
|
Crossing
Jordan
[ep
#85 'Total Recall'; 5th season of 117-part tv-series, 2001-07]
ph: John Aronson
|
|
2005
|
Criminal
Minds
[ep
#6 'L.D.S.K.'; 1st season of tv-series, 2005-present] ph: Glenn
Kershaw
|
|
2005
|
CSI:
Miami
[ep
#85 'Silencer'; 4th season of tv-series, 2002-present] ph: Eagle
Egilsson
|
|
2006
|
Masters
of Horror
[ep
#18 'The V Word'; 2nd season of tv-series, 2005-present] ph: Jon
Joffin
|
|
2006
|
The
Wire
[ep
#47 'Misgivings' & #50 'Final Grades'; 4th season of
tv-series, 2002-present] ph: Russell Lee Fine
|
|
2007
|
The
Un-Dead
[feature]
pre-production
|
Directed
feature films and episodic television between 1961-77. 'I got a lot of fun out of being a cameraman, but obviously
directing is more interesting. One thing wrong with being a cameraman in Britain
is that from the financial point of view you have to keep working all the time
and you often have to work with people whose work, frankly, doesn't excite you.
When I got the opportunity to direct I decided to try it and if I wasn't excited
with what I did, well, that would be my own problem and no one else's. But
basically I love making films. If someone asked me now to photograph a film I
still would.' [From 'The Horror People' by John Brosnan, 1976.]
see
entry
|
